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In the sleepy surf town of Bolinas, Taylor Stitch creative director Mikey Armenta finds inspiration in the ocean.

At the foot of the Sciliar, in the picturesque area of Alpe di Siusi (Bolzano), the spirit
of a barn is reborn as a home. The project, realised by noa* (network of architecture), has
at its core, the South Tyrolean tradition combined with surprising features internally,
resulting from design of visionary and unexpected spaces. An almost magical ambience is
created, inspired by childhood memories. Keep tradition in mind, but at the same time move away so as to create an original
identity, a new way of living, a different structuring of the domestic space, and to search
inspiration from a childhood passed in the mountains. This, in summary, was the challenge
faced by noa* in the project to construct a new home at Siusi in Sciliar, a construction to
take the place of a deserted house in the centre of the village, with the original
structure dating back to 1850. The job, completed in 2017, needs to be understood in its complex and delicate context. We
are talking about South Tyrol, and a project executed at a height of 1100 a.s.l. at the
foot of Alpe di Siusi, a part of the Dolomites recognised as a Unesco World Heritage due to
its outstanding natural beauty. It was therefore extremely important to respect the
parameters of the original structure and the urban planning requirements and regulations of
the village. For Stefan Rier, founder, together with Lukas Rungger of the noa* studio, and
in this instance ‘his own client’, the project was an opportunity to give a personal
footprint to his own property. In this sense there was a move away from the traditional
principles of spatial distribution, this being achieved in part by recalling memories of a
childhood spent in the mountains. “We wanted the project to respect the aesthetics and the urban aspects of the village, a
village where wooden barns alternate with plaster-fronted houses destined for farmers and
the keeping of cattle.”, explains architect Rier. “With this in mind, we finished the
exterior structure with a ‘coating’ in keeping with tradition: a wooden grid on all 4
sides, just as is used for alpine barns. However, as far as the interior is concerned, I
decided to leave tradition behind me, and thereby free the design from any preconceived
limitations. In this way I was able to look forward…but also a little back in time to the
beautiful years of my childhood”. The outcome of the project is a dwelling, having two aspects which confront each other in
their style. The exterior represents the traditional alpine location, splendidly immersed
in the local topography, whilst the interior boasts the visionary impulse, the surprise of
a space freed from the general scheme of things, almost permeable, osmotic, and certainly
innovative. On the ground floor there is a common area which spreads out almost in a ‘piazza’ fashion
for (habitational)and interactional use: there is a dining table to enjoy with friends, an
ample sized kitchen to accommodate more than one cook! The rest of the house develops in a
vertical way and instead of the classical room division there are what can be described as
‘hanging boxes’, which are positioned at different heights and interconnected by stairs and
walkways – they giving the sensation of walking up a mountain path towards the peak. The
hallways are carefully designed so that, apart from their connecting function, they
accommodate other essential areas such as the library and open ‘bathroom’ areas with tubs
and showers (only the WC are closed in). The entire structure is conceived in a way that
the further one goes up the level of privacy and intimacy is heightened. The highest ‘box’
which features a sauna opens out to the splendid view of the Santner mountain. The revolutionary distribution of the interior spaces can be noted also from the exterior,
and a sort of counterpoint is created with the traditional presentation of the exterior
itself. To the north the two boxes of the bedrooms, finished in bronze, can be seen behind
the wooden trellis shell, and as a result the material contrast is evident, while to the
south it is sauna box which protrudes the glass facade. It is an architectural concept, both extremely innovative and courageous in nature, but
which also has the value of being able to evoke an atmosphere of time past. Viewing the
structure from a distance, the larch framework which supports the hanging boxes with its
roof supported by 12 metre high wooden columns, seems to be the outline of an old barn. “Thinking about it, I spent a lot of my childhood playing in barns”, underlines Stefan
Rier, “and one of my lasting and favourite memories is of when I used to climb high up in
the barns and then throw myself down into the hay. Maybe if I had not had that experience,
I would never have come to design this house …”. THE STRUCTURE: A DIALOGUE BETWEEN TIME PAST AND TIME PRESENT
The house mirrors the construction type of the location’s rural buildings. On the stone
foundation (10x8m), is a wooden structure in larch on three levels, and which supports the
gable roof, typical of the village’s dwellings. A wooden trellis covers the whole house in
a shell-like manner, screening the light and heat of the sun in the hotter periods, and as
a whole it is suggestive of the typical structures of alpine barns. Two boxes, one in
bronze and one a glass structure ‘peak out’ from the trellis, to the north and south
respectively, and so revealing to the exterior that there is something complex to the
interior layout. To the south there is a glass facade and a terrace which opens out to the
magnificent view over the landscape of the Dolomites, a view which is dominated by the
splendid sight of the Sciliar massif. THE INTERIOR SPACES: A STATIC CHALLENGE
Inside the house, the distribution of spaces and functions is really unusual. The ‘boxes’
which house the three bedrooms are supported by the wooden beam structure, visible in its
totality (12 metres high). The bedrooms are designed as micro-homes, each one having its
own particular design, these boxes seem to almost ‘hang’ in the ample volume of the
interior (1,100 cubic metres). One gains access via a staircase and a walkway system, which
as well as having a connecting function, accommodate the ‘bathroom’ areas with tubs and
showers (only the WC are closed in). On the last floor, a box plays host to the sauna with
a panoramic view, extending out of the southern front. Preceding the sauna, there is a
book-lounge with an antique majolica stove, which has been taken from the pre-existing
building. The library together with a cloakroom area complete the private spaces on the
higher levels.
The ground floor is a large open space with three diverse ‘island’ functions: the
relaxation area, the dining area, and the kitchen, resolved with a large working surface
feature in natural brass, and decorated on the sides with artisan earthenware tiles. MATERIALS
As well as incorporating materials having a local tradition – wood and stone – the project
introduces others of a more contemporary nature, in some cases recalling a Mediterranean
style. The floor resin, giving uniformity to the ground floor appearance, alternates
between baked clay and sea-blue tiles, the same as used for the side covering of the
kitchen’s work surface. The brass gives brilliant warm tones to the furniture details and
to the work surface which also incorporates the cooking essentials and sink. The staircase,
in finely worked steel recalls the grates of Arabian tradition, creating a chiaroscuro
effect which is extremely unusual for the Alpine environment. Furniture and Cloth
The furniture has all been produced to design specification, adhering to a zero-kilometre
regime. Attention to detail has been scrupulous, as has the search for original solutions
from both a formal and functional stance. Cloth chosen plays an intricate game with wood in creating an atmosphere almost theatrical
in kind. Flowing blue drapes act almost as stage curtains in enclosing various spaces and
giving different and new perspectives. There has also been a coming together of texture and
décor for the box-like bedrooms, this evident even in the wallpaper in blue tones, and so
creating a functional soundproofing barrier. Light
The project strives to make the most of natural light: to the south the facade is a
complete glass construction, the light being filtered by the external wooden grid
positioned at 2.5 metres from the principal structure, whilst the jutting out roof shades
protect the interior from the extreme heat of the summer months. On the roof, a skylight
opens to the east providing another source of light. To the north there are windows.
As for internal lighting, in the very high living area, there are suspension lights to
guarantee sufficient light and in particular for the specific functional areas (dining and
kitchen areas). Many of the lamps in the house have been design created.

VILLA KIVI Villa Kivi is a new generation log home on a tiny island in Finnish archipelago designed for himself by Finnish designer Vertti Kivi. Polar Life Haus, a Finnish wooden house manufacturer, was quick to pick it up for their collection. ‘The whole development process of the house was guided by our goal to bring the interior of the house together with the spectacular surroundings. We wanted to be part of sunset, snowstorm and even autumn storm on his tiny island in Finnish archipelago’, tells designer Vertti Kivi, the head of dSign Vertti Kivi & Co. ‘The starting point was a clear glass cube but we ended up creating glass walls reaching from the floor level up to the ceiling only to three sides of the structure. The north side with its separate sleeping rooms and bathroom is constructed of massive black wood beams that are in clear contrast to the glass and create feeling of cosyness and safety. Large terraces in one level create a sense of continuity between inside and outside. The floor plan is defined by Scandinavian clearness. The heart of the villa is the kitchen, located next to the entrance, and from there you can see the entire open interior and the surrounding sea. We like to think the kitchen island is like a DJ’s desk – the atmosphere of the whole interior space is created right there with the remote controlled lighting system. To guarantee the privacy of the bedrooms, they are located in the outermost corners of the villa, separate from each other. They too have one wall completely made of glass. An extra attention is paid on the details of the villa. Not a single molding can be found in the entire building. The doors have a hidden frame and they too reach from the floor to the ceiling. Drama and strong feeling are created by massive wooden surfaces and their color choices – snow white lacquer on the floor creates a contrast to the dark walls. To make the battened external walls coal black, we developed a special technique based on hundreds of years old Japanese traditions. In the evening, the atmosphere changes with different lighting schemes that can be timed to be in sync with nature. The end result is a clean-lined building in Scandinavian style which can be adapted to different needs and locations. It has a strong Finnish presence.

Many people long to escape the city and start over somewhere closer to nature. But for…