Do Bathtubs Belong in Bedrooms? These Dwellings Say “Yes”

Budapest’s Paris Court—one of the most ornate buildings in Europe—is renovated and repurposed into a five-star hotel.

The decommissioned structure was built in the 1950s for France’s La Cité Radieuse Housing Project in Briey-en-Forêt.

This renovation project originates from the intervention of a pre-existent building located in the western area of Mexico City; reshaping it into a studio-house project, with clear conditions and an eye set into the pre-existing circumstances. Our design solution takes on a residential structure from the 20th century and recycles it into a project that integrates itself with its immediate natural environment, shattering the hegemony of the high walls behind which the neighboring houses hide, in order to establish a dialogue that transcends the physical limitations of the project. The variations in the depths of different planes, offer the environment a living façade, where the interior activities are guessed from the visual filters that concede intimacy to the interior spaces. The interior-exterior duality brakes its context’s routine, offering a canvas of textures where the concrete and granite give away to the mildness of the metal and the lightness of plastic fabrics. To the exterior, the housing peeks out without invading; whilst opening in the interior, subtlety exposing itself, balancing the volumes that are inserted in the site. An interplay of planes occurs inside allowing the versatility of spaces by the movement of long-distance sliding screens and wainscots formed by timber that contrast in warmth and complexity with the sobriety of the stone coatings and apparent concrete of the enclosures. A new stairway, based on steel strips, reactivates the space where the old one stood, which gave an opportunity to re-signify the ambiance of the circulations as an experience of sculptural character. The front yard of the house marks the limits of the construction and together with the water mirrors and vegetation orient the route beneath a suspended long cover. The architectural program revolves around the home in the ground floor, leaving the studio in a privileged condition towards the garden. The living spaces in the first level have terraces and views to the exterior between and through a green façade woven of plastic cables (recovering the Acapulco chair technique) that sieve and melt together the thick vegetation of the existing trees. The terraces and windows allows an optimal ventilation, illumination and contextualization between the outside and inside. In the top level, the project offers a view above itself and the wooden horizon from a roof garden that elevates to a higher plane the user’s introspection, belonging and pertinence of itself.

Sited on a site slightly under an acre in the heart of the Pacific Palisades area of Los Angeles, the site for this estate residence descends over thirty feet from top to bottom. Narrow at the street and widening toward the rear, the building was designed to appear as a very private single story structure from the street and expand as the house moves into the site. At just under 14,000 sq. ft. the house was conceived of as a California Modernist Estate the building utilizes the site slope and widening to create a wing typology each reaching into the site to capture garden spaces, set up views and account for service amenities. Designed for peak privacy to the street, there are a series of site walls and fencing that define the property edge. After passing through the gate, the entry to the house is through a descending Entry Garden with water feature with a view through the house to the slopes of Will Rodgers State Park beyond. Shaped as a modified T, the wings of the house extend into the landscape creating separate wings dedicated to the elaborate programming of the building. Containing formal spaces for Entry, Living and Dining the house also offers a large entertainment style kitchen, Large Family Room, Library, 16 person Theater, Wine Cellar, Gym with Spa Bath including Sauna and Steam Room, secondary winter closets, dedicated two bedroom Guest House as well as six bedrooms including a Master Suite over 1,500 square feet with his and hers baths and closets as well as a garage for seven plus additional carport parking for three. All of this is balanced with a series of large exterior decks, patios and pool all wrapping around the stately eighty-foot tall Eucalyptus tree, which served as the aesthetic basis for the materiality of the building. Balancing the solidity of the extensive board form concrete walls is an expansive use of glass and the warmth of stained wood siding throughout the building. The remainder of the building is wrapped in integral colored steel troweled stucco. This palette is based on the colors and tones of the tree that is the center of the garden. Passing materials from the interior to the exterior, doors disappearing into internal pockets and flooring extending onto the decks and patios all help to create a seamless relationship for the interior to the exterior, house to land. This relationship realizes a full use of the site for its entire acre site.

The vibrant pavilion travels to the U.S. for the first time—and it just opened to the public at an Ice Age excavation site in Los Angeles.