Circle Dome Square by Henrik Vibskov Pays Homage to Panton

Danish designer Henrik Vibskov is known across the globe for his work in fashion, art, and design. Circle Dome Square, his newest work, debuted at 3daysofdesign this year, in collaboration with Louis Poulsen. Located outside Vibskov’s studio in Copenhagen, the immersive installation is based around the curvatures of Verner Panton’s 1971 Panthella lamp, whose iconic silhouette and exceptional light distribution made it a timeless design. Fabric screens are suspended in an eternal explosion, a hot-rod red decorating the entire structure, matching the energy of the form. The piece can be accessed through the center, forming a cavity within, sitting squarely in the eye of the storm.

A large outdoor art installation made of red geometric panels arranged in a circular, dome-like structure stands in front of a brick building with a dark tiled roof.

Bringing the beauty and innovation of the interior of the studio outside, promoting discussion of public art is an added benefit to the project. “We’re thrilled to collaborate with Henrik Vibskov, one of Denmark’s most innovative fashion designers and artists. He has created a captivating installation that fuses designer lighting and art, paying tribute to Verner Panton and his most iconic lamp design, the Panthella,” says Zorayda Perez Pedersen, CMO at Louis Poulsen.

A large red geometric sculpture made of square panels is displayed on grass in front of a brick building with a dark tile roof near a waterfront.

Large geometric sculpture made of stacked red square panels with central circular cutouts, set outdoors under a partly cloudy sky.

Traditionally working in textile, Vibskov deeply considered how the negative space formed by the Panthella lamp could be translated to an exhibition, pulling on the form language of vintage cameras to come to the final design. “Circle Dome Square is a playful and somewhat visionary installation with a touch of surrealism. The concept was to combine shapes and colors into a larger structure using my chosen material – textiles – to create a design reminiscent of old-school cameras, focusing on a single unit. This is a space you can enter, where you can hopefully relax, take a breath, and enjoy your surroundings without too much disturbance from the outside world,” says Vibskov.

A red structure with a black background.

Interior view of a geometric red art installation with circular cut-outs, beneath a sunny sky and in front of a brick building.

Vibskov channels his deep appreciation for Verner Panton’s fearless use of color and his talent for crafting all-encompassing, sensory-rich environments. Much like Panton, Vibskov approaches design as an opportunity to transport viewers into another dimension – something he’s honed through his dynamic runway presentations and large-scale installations. This latest project weaves in Vibskov’s own inventive flair to create a vibrant, contemporary dialogue between two distinct yet kindred creative worlds.

Red geometric art installation with square panels and circular cutouts, viewed from inside. A red dome structure sits on the floor, with buildings visible through openings outside.

View from inside a bright red geometric structure with circular openings, looking out towards buildings, trees, and a partly cloudy sky.

An entrance to a world much different from ours, red vertices take on an almost igloo-like appearance as they form a red roof over the visitors of the exhibition. In contrast with the relatively muted facade of the traditional Danish landscape, Circle Dome Square remains intriguing in its bright red clothing, standing solidly in the sun.

Red geometric structure with circular cutouts seen from inside, set against a blue sky with clouds; white boats and a building are visible in the background.

A close-up of a modern outdoor sculpture made of translucent red geometric panels, set against a brick building with windows and a tiled roof.

Red geometric structures made of fabric and wood are seen against a backdrop of a partly cloudy blue sky.

Red geometric fabric panels are arranged diagonally against a bright blue sky with scattered clouds.

A cluster of bright red modular structures is set up on a grassy area between two brick buildings near a harbor with docked boats.

A red, dome-shaped art installation made of panels stands on grass in front of a brick building with dormer windows by a canal.

A canal scene with modern, angular glass buildings, a traditional brick structure, a cluster of red geometric sculptures, and boats on the water under a partly cloudy sky.

Henrik Vibskov is a fashion designer and artist, yet always finds ways to infuse his work with many disciplines, not to be contained. Principles from architecture, furniture, textiles, exhibition, and graphics inspire his work, along with music: he is an accomplished drummer, touring with the bands Trentemøller and Hess is More. The intersection of music, art, and artefact inform his practice, keeping the themes of play and surrealism at the forefront of the work.

A man in a beanie and patterned scarf sits on a stool indoors, dressed in light-colored, casual clothing.

Henrik Vibskov

To learn more about Circle Dome Square by Henrik Vibskov for Louis Poulsen, please visit louispoulsen.com.

Photography courtesy of Louis Poulsen.

Growing up in NYC has given Aria a unique perspective into art + design, constantly striving for new projects to get immersed in. An avid baker, crocheter, and pasta maker, handwork and personal touch is central to what she loves about the built environment. Outside of the city, she enjoys hiking, biking, and learning about space.