This House Split Itself Apart

Terra Catarina House is a 6,458-square-foot home that refuses to feel like one massive building.

Instead of concentrating the entire program in a single volume, the house is divided into separate structures for family life, guests, service areas, and the garage. Gardens, outdoor paths, and a glass-enclosed staircase connect them, turning the residence into something closer to a small private village.

Set at the highest point of a 2.9-million-square-foot property, the house sits between a forest of araucaria trees and a wide valley facing the sunset. Pitched roofs bring winter sunlight deep inside, while double-glazed windows help retain warmth.

Concrete, steel, wood framing, local stone, reclaimed imbuia, and canela-preta bring together contemporary construction and materials that already carry decades of history.

Terra Catarina House breaks apart to reduce its presence on the mountain — then reconnects daily life through gardens, pathways, views, and spaces gathered around fire.

Architects: Nola Arquitetura
Location: , Brazil
Project Year: 2025
Area: 600.0 m2
Photographs: Eduardo Macarios

#TerraCatarinaHouse #NolaArquitetura #BrazilianArchitecture #MountainHouse #PrivateVillage #HouseDesign #ModernArchitecture #ForestHouse #ContemporaryHouse #ArchitectureVideo #DreamHouse #LuxuryArchitecture

Similar Posts

  • SO House

    REVEALING THE EVIDENCE Confrontation with the reality of these ruins was always a confrontation seeped in memories. Memories
    of a place where the raw matter it is constituted of – the rock, the valley and the mountain – shows evident expression, provoking a game of fine balance between place, matter, light and shadow. We found light that dripped down the stone walls defining spaces separated only by rows of stacked rock. In each fissure, in each wrinkle, a soft balance between light and shadow. Standing before this scenery, the exercise consisted in finding the most natural way to connect ruins and spaces, simultaneously defining future possibilities for links between the interior and the exterior. Where decisions were concerned, we chose to rehabilitate pre-existing volumes and introduce a new connecting element. The answer is given by the almost immediate decision to join together the pre-existing elements. This
    gesture, deeply connected to the terrain along the pendente – connects the two sections facing west,
    forming an exterior courtyard adorned with a centenary olive tree. This project builds a space that runs through the ruins, uniting them and revealing the obvious functional relationship between the house’s programmatic areas, simultaneously differentiating the possibilities for inhabiting the exterior space. It expresses its temporality through the antagonism of matter in its relationship with pre-existing elements.