A Dome-Shaped Austin Home Gets a Kitchen Worthy of its History

A long-awaited renovation flips the script for a historic dome home with an awkward and outdated kitchen.

Haley Rushing’s home has always been a showpiece. 

It was built in the 1970s by architect John Watson, who studied under Frank Lloyd Wright. The structure is shaped like a dome and situated on a slope in Westlake Hills, Texas, giving precedent to views of Hill Country. “John was a big believer in harmoniously blending homes into their surrounding environments so that both are better off for having met each other, as Wright would say,” Haley notes.

The dome’s shape is immediately apparent upon viewing the surrounding walls. In this instance, a circular entrance leads to a living area. The kitchen is painted in Benjamin Moore’s Atrium White to match the existing walls.

The dome’s shape is immediately apparent upon viewing the surrounding walls. In this instance, a circular entrance leads to a living area. The kitchen is painted in Benjamin Moore’s Atrium White to match the existing walls.

Photo by Iris Davis-Quick

The property was initially a triplex, with two loft units on the second level and a third unit on the ground floor. But in the 1980s, a renovation turned it all into a single-family unit—and the results tarnished this showpiece, to say the least.

“It was previously two mini kitchens that were superficially opened up to be one long kitchen,” says Haley, who co-founded The Purpose Institute. “It still had a major wall running down the middle, a very low ceiling height to accommodate old air conditioning units, minimal cabinet space, and no pantry.”

Before: Front View

The original kitchen was haphazardly combined from two spaces in previously separated units. “Less creative and courageous contractors would have bailed on me, I’m sure of it,” Haley says. “But after every new discovery, CG&S always rallied to come up with options so we could carry on.”

Photo courtesy of CG&S

After: Front View

“We knew that if we wanted to increase the ceiling height, we needed to keep these column locations,” architect Joanna Hartman says. “So we let them set our island length.” The island is made from polished silestone.

Photo by Iris Davis-Quick

See the full story on Dwell.com: A Dome-Shaped Austin Home Gets a Kitchen Worthy of its History

Similar Posts

  • Creek House

    Set amidst a volcanic boulder field in a pine and fir forest, Creek House is a family retreat that inhabits an existing outcrop clearing at the edge of the spring fed Martis Creek. Near the base of Lookout Mountain at Northstar California Resort, the house is conceived in plan as three directional bars that slide between and alongside the boulders and trees. The largest contains the main living areas and sleeping quarters. A margin sized bar houses the entry and support spaces and connects the third bar that contains a tandem, drive-through garage to the house. A south facing, 140-foot long, insulated concrete wall demarks the spaces longitudinally and situates the house in the mountainous terrain.   A shift of the major bar to the west over the natural downslope of the site earns two requested rock gardens. The garden to the east is open to the sky and built into the void left by the displacement, with building height concrete walls retained to provide privacy for the master bedroom.  The gravel surface, set with site native basalt stones and framed with water, can be viewed only through a low, three-dimensional glass box that allows the garden to penetrate the room. A rectangular basin captures snow melt to create a protective and ephemeral pool of water around this most private area of the house. The second garden to the west lives under the cantilevered house that shields the lower level from the west sun and contains the largest boulders of the site. A glazed hallway floor above reveals a dramatic drop in the topography and car sized boulders. At the top of the slope, the one-story horizontal form presents a closed and secure face to the northwestern street exposure. Fire resistive steel rain screens and tempered glazing inhabit the territories earned by the concrete wall. The mass heavy house is designed as a long thin rectangle that faces the sun to maximize solar exposure during winter and minimize heat gain from the west and east in summer. The house is cooled by prevailing breezes that flow up and through the house from the west. Radiantly heated bluestone floors, solar assisted domestic hot water and LED electric light further reduce energy demands.