A Midcentury Masterpiece Apartment in Austin Asks $770K

Unit No. 3 in the Harwell Harris–designed Cranfill Apartments still shines from a mid-2000s restoration by Alterstudio and Mell Lawrence Architects.

The star of each unit is the double-height living room, featuring a dramatic wall of windows framed by exposed masonry block walls. Shown here, Unit No 3. was restored several years ago by Ernesto Cragnolino of Alterstudio and Krista Whitson of Mel Lawrence Architects, who used the apartment as their personal residence.

The landmarked Cranfill Apartments in Austin, Texas, are considered some of the best work of modernist architect Harwell Hamilton Harris. Built in the late 1950s, the two-story triplex is organized around a majestic live oak, with loft-like living spaces and dramatic walls of windows. Unit No. 3, the largest of the three, was recently listed for sale—offering an interior that was lovingly restored by its former architect-owners.

A massive oak tree is the focal point of the communal entry courtyard. The apartments were originally designed by Harwell Hamilton Harris for Thomas Cranfill, an English
professor at The University of Texas at Austin courtyard.
The star of each unit is the double-height living room, featuring a dramatic wall of windows framed by exposed masonry block walls. Shown here, Unit No 3. was restored several years ago by Ernesto Cragnolino of Alterstudio and Krista Whitson of Mel Lawrence Architects, who used the apartment as their personal residence.

The star of each unit is the double-height living room, featuring a dramatic wall of windows framed by exposed masonry block walls. Shown here, Unit No 3. was restored several years ago by Ernesto Cragnolino of Alterstudio and Krista Whitson of Mel Lawrence Architects, who used the apartment as their personal residence.

Photo courtesy of The Value of Architecture

Ernesto Cragnolino, a partner at the local firm Alterstudio, and his wife, architect Krista Whitson of Mell Lawrence Architects, purchased the building in 2004. Saving the interior from unsympathetic developers, the couple spearheaded the restoration of each unit, calling the one currently for sale their home for nearly 10 years. The duo also led efforts to have the building designated as national, state, and local historic landmarks in 2013.

The windows create a connection with nature uncommon in the middle of Austin. Biographer Lisa Germany described the apartments this way: “Hidden behind a conventional house on a remote street, the concrete block apartments held out Harris’s favorite surprise: a rich and private exposure to nature. Quiet and elegantly functional, they are among his best work.” 

Photo courtesy of The Value of Architecture

See the full story on Dwell.com: A Midcentury Masterpiece Apartment in Austin Asks $770K
Related stories:

  • Singer Nate Ruess and Fashion Designer Charlotte Ronson List Their Swoon-Worthy NYC Pad for $3.85M
  • A Victorian Button Factory Is Reimagined as a Trio of Timber-Clad Lofts
  • Wanna Feel Like It’s 1952 All the Time? Consider Moving Into This Midcentury Time Capsule

Similar Posts

  • PDC House

    The design strategy of this house is based on a commitment to artisanal constructive honesty, the respect towards natural context in an urban area, and the constant search for a way of inhabiting where material austerity provides spatial quality. The main body of the house is located in the southern boundary of the land, respecting the 3 preexisting fruit trees on the north side and taking advantage of the best ventilation and natural light possible. The program, which includes 2 bedrooms, social area, a family room and services, is condensed in a monolithic block to reduce its footprint. As a main strategy, the upper roof tilts 21 degrees, prioritizing the northern bedroom spaces and reducing the southern service spaces. The subtraction and rotation of a middle segment generates a shift in between the upper floor bedrooms, allowing cross ventilation, as well as the accommodation of rooftop equipment and the plumbing and electrical ducting. In section, the composition allows the circulation of north-south winds, cooling the kitchen by the hot air escape achieved through height differences. The constructive solution contemplates material honesty in all the elements. The concrete walls on ground floor, pured with recycled formwork, give an imperfect finish consistent with the roof’s austerity, but contrasted with the cleanliness and volumetric continuity of the upper floor finish. To reduce economic impact, ceiling and floor finishings and tilings were completely eliminated using bare concrete floors and, in order to express the constructive and structural performance, the roofs use a system of bare concrete joists in combination with vaulted pieces, designed and manufactured using a mold made with local artisan blacksmithing.