|

aequo.design develops ambiguous objects from industrial materials for palais de tokyo

obj collection by aequo.design invites inventive use

At a time when functionality often overshadows creativity, aequo.design’s OBJ Collection breaks the mold with a series of versatile design objects that encourage users to explore their own inventiveness. Realized for the Palais de Tokyo as a visual extension of the contemporary art center, the collection sits on the border between design and art. The objects, including concrete candle stands and zinc vases, behave like mini works with a deliberately imprecise use, remaining to be determined by whoever takes possession of them. In this sense, they invite their holders to take part in the creative process uncovering uniquely personal interactivity. Crafted from standardized industrial materials, each piece from product to packaging is also produced locally in France.

aequo.design develops ambiguous design objects from industrial materials for palais de tokyo
all images © Benjamin Helle

a visual extension to palais de tokyo’s culture and history

Commissioned by the Palais de Tokyo, multidisciplinary design studio aequo.design developed a range of derivative products intended for the enjoyment of visitors and to promote the emblematic institution beyond its physical confines. The OBJ Collection, rooted in explorations of form and materiality, accordingly captures the essence of the Palais de Tokyo as a tangible link to its rich history, notably its policy of institutional permaculture.

Each object serves as a miniature artwork, its purpose intentionally left open-ended to be defined by the individual who possesses it. This intentional ambiguity extends an invitation to users to participate in the creative process. ‘They are the first level of reading and correspond to the ‘memory of the place’. The second level of reading is found in function; the object surprises and questions the visitor who is invited to experience it. This is the experiential memory,’ notes the team.

aequo.design develops ambiguous design objects from industrial materials for palais de tokyo
travertine stairs

aequo.design develops ambiguous design objects from industrial materials for palais de tokyo
zinc container

aequo.design develops ambiguous design objects from industrial materials for palais de tokyo
concrete columns

aequo.design develops ambiguous design objects from industrial materials for palais de tokyo
aequo.design’s OBJ Collection

Similar Posts

  • Lakeside Residence

    Originally built as a modest beachfront cabin in the 1960s and subsequently modified through a series of piecemeal renovations, by the time the client acquired the house its design integrity had long ceased to exist. The forested one-acre property, however, was ideally suited to the creation of a quiet refuge with direct connections to nature. The path from street to house is conceived as a journey where work and public life give way to nature and private reflection. The 60-foot change in elevation from entry drive to water’s edge, was not without challenges. The upper driveway is transformed into a winding forest drive, while the final steps to the house pass through a series of intimate landscapes. A two-story glazed entry provides glimpses through the house to the water from the moment one enters the site. “To preserve the original view experience,” notes Brett Baba, principal architect for the project, “we carved big glass slots through the house both vertically and horizontally so a visitor can see right through to the water as they descend to the house.” Planted roof surfaces help to merge the house with its setting. Inside, the house was taken back to the studs and completely reworked. Previously lacking visual connections to the lake, all major interior spaces were reoriented to the views. “One of the most challenging aspects of this project,” adds Baba, “was the limited buildable area of the site. The homeowner had an ambitious program, so we needed to be creative in finding ways to solve space needs and elevate the quality of the space we had.” The main floor and formal entry, the middle of the house’s three floors, serve as the public zone of the house. Here, spaces including the galley kitchen and breakfast room, and dining and living, which flow one to the other. A small guest room rounds out the main floor. A second floor was added to provide separation for private spaces, and includes the master suite and kids bedrooms. The staircase connecting the floors was conceived as a set of wood slabs (fumed white oak) that appear to float within a wood enclosure. The partial, below-grade basement, was previously closed off from the waterfront. The space now opens directly to the water, enabling activities to flow from inside to outside. The basement provides family-oriented spaces including the family room, gym, wine room, kitchenette, laundry, powder bath and playroom for the children. Family room furnishing are simple, dominated by an L-shaped sofa, and a large television above a fireplace—a “hangout area” for the kids. Baba and Hunziker worked closely with the homeowner on the selection of finishes. “He pushed us to explore the most elegant design that we could,” notes Baba. “He has great taste and was open to very sophisticated finishes and details” Materially rich finishes—such as polished concrete, stone, cerused rift white oak and fumed oak, and blackened steel—balance the otherwise crisp and spare detailing found throughout the house. Everything from door pulls to sink faucet levers were meticulously designed, detailed, and fabricated. Stand out features include the staircase with floating wood slabs, custom bead-blasted nickel hardware, an oversized Japanese soaking tub, and sliding leather paneled pocket doors to master bedroom and bathroom. Concealed doors and integrated handrails reinforce the minimal aesthetic without sacrificing rich materiality. Outside, variously-sized, dark-stained cedar siding provides subtle dimension and shadow effects. Cor-Ten siding wraps selected portions of the exterior to articulate the composition and massing. Integrated sun shades and fins on all west-facing windows marry function with aesthetics, adding visual texture while mitigating direct sun exposure. Graham Baba Architects team
    Brett Baba, design principal
    Francesco Borghesi, project team
    Noreen Shinohara, project team Project team
    Graham Baba Architects (architecture)
    Terry Hunziker Inc. (interiors)
    CPL (civil engineer)
    Carissa Farkas (structural engineer)
    Geotech Consultants (geotechnical engineer)
    Rich Haag and Associates / Anne James Landscape Architect (landscape architecture)
    Brian Hood (lighting design)
    Lockhart | Suver LLC (contractor)
    Fleetwood USA (windows and selected doors)

  • Beautiful Black Kitchens: 20 Exquisite Ideas and Inspirations Cutting Across Styles

    If there is one room in the house that we obsess about when it comes to decorating and redesign, then it is undoubtedly the kitchen. It is a space that is increasingly becoming the social hub of the house that brings entire family together. The idea of a perfect kitchen is one that often involves […]

    You’re reading Beautiful Black Kitchens: 20 Exquisite Ideas and Inspirations Cutting Across Styles, originally posted on Decoist. If you enjoyed this post, be sure to follow Decoist on Twitter, Facebook and Pinterest.