An Architect’s Home in Bondi Evolves Over Three Renovations to Suit a Growing Family

Over the past seven years, Australian architect Jeremy Bull has renovated his home three times, describing it as a “scaffold for a growing family.”

The home’s philosophy was inspired by the works of Alvar Aalto and Louis Kahn. The use of locally available and low-cost pine and Carrara stone gives it an almost Scandinavian sensibility, which the couple describe as

This architect’s home on a leafy street in Sydney’s eastern suburbs is an ever-changing work in progress that has evolved over the years to meet the needs of a growing family. In the seven years since architect Jeremy Bull, principal of Alexander & CO., and his partner Tess Glasson, marketing director at the same studio, bought the 1900s, semidetached Victorian terrace in Bondi Junction, it has undergone three dramatic renovations as their family has grown to include four young sons.

The home presents as a simple terrace cottage to the street, however it opens up to a surprising and textural collection of volumes inside. It steps down the gently sloping site toward the western garden, where stairs create small amphitheaters for sitting.

The home presents as a simple terrace cottage to the street, however it opens up to a surprising and textural collection of volumes inside. It steps down the gently sloping site toward the western garden, where stairs create small amphitheaters for sitting.

Anson Smart

“The home is an exploration of ‘the unfinished,’ and it has grown to be totally symmetrical with our way of life,” says Bull. “It is so uniquely personal to our needs, and so much a machine for our living, that we miss it each time we go away.”

The home’s philosophy was inspired by the works of Alvar Aalto and Louis Kahn. The use of locally available and low-cost pine and Carrara stone gives it an almost Scandinavian sensibility, which the couple describe as

The home’s philosophy was inspired by the works of Alvar Aalto and Louis Kahn. The use of locally available and low-cost pine and Carrara stone gives it an almost Scandinavian sensibility, which the couple describe as “Scandi meets carpentry modernism.”

Anson Smart

The 2,475-square-foot home is set on a fairly compact terrace block, and the couple wanted to provide the most amenities possible. “We also wanted to design a home that could fascinate us and our children as they grow up,” says Bull. “We wanted the home to be surprising for our children, and for them to understand a home as a thing which didn’t need to be ‘domestic.’ I think the boys appreciate the materiality of the space. They have enjoyed seeing each new iteration take place, and I have loved the way each of our boys has found something different in the same spaces.”

The ground floor steps down to the kitchen and sunken lounge at the rear, and an exposed timber ceiling adds texture and rhythm to the interior.

The ground floor steps down to the kitchen and sunken lounge at the rear, and an exposed timber ceiling adds texture and rhythm to the interior. “I have always loved expressing the structure of things,” says architect Jeremy Bull. “This comes up in most of our work—it is a general theme of my thinking.”

Anson Smart

See the full story on Dwell.com: An Architect’s Home in Bondi Evolves Over Three Renovations to Suit a Growing Family
Related stories:

  • Budget Breakdown: A Lakeside Retreat Goes From Groovy to Gorgeous for $450K
  • This Net-Zero New York Passive House Teaches its Community to Build Green
  • Before & After: A Pitch-Perfect Remodel Strikes Harmony in a Home Atop a Violin Shop

Similar Posts

  • Casa Haras

    1. How did you land the project and what was the brief? Initially the customers were looking for a house with volumetry that would hide the roofs, but the regulation of the condominium did not allow the use of flat slabs, nor a built-in roof. It would be our first house with apparent roofs. The required needs program and the size of the plot had the exact proportion for what we believed to be ideal for a single-storey house with plenty of open space for outside living, and so we did.
    Haras house came up as a pavilion installation consisting of 3 volumes: two parallels, with NE-SW orientation and a third perpendicular connecting with NW-SE orientation, as an “H”. The idea was based on the desire to have the central leisure area in the other spaces of the house, and with the proposed implantation, we were able to create two outdoor living areas: a main one with a deck and a swimming pool and a secondary area with a spa, a water mirror and a bonfire separated by the perpendicular volume and visually connected by the transparency of the sliding glass doors. 2. What was significant about the site? The land chosen within a stall in the interior of São Paulo, concentrated a number of positive aspects for the design of the project: views, large plot, solar orientation, generous setbacks, high soil permeability, no outside walls. 3. What was the overall design goal? The simple volume and purity of the gable roof in all 3 blocks of the house ended up contributing significantly to the harmony of the whole and to the desired country house aspect, which was further strengthened by the use of natural materials such as the stone coating on the gables of the walls and the use of the wood in the panels of doors and slatted of the facade. 4. What was the color pallet? The project explores in exterior areas the colors of natural materials such as the wood used in the slats of the whole facade of the house, the roof, also wood but with a shade of gray and stone walls. The contrast is quite striking with some internal areas, where the walls and white lining create a neutral and minimalist space. 5. What was particularly challenging? The main challenge of the project was to create a contemporary home using sloped roofs, in a minimalist architecture using natural materials. This challenge sought to coherently insert the project in the place that was built, a condominium in a stable – called “Haras” in Portuguese which gives the name of the house, with an air of farm in the interior of São Paulo- Brazil, a refuge for the tranquility at the weekends. 6. How does this project compare to other projects you have completed? This project differs from others for being a single-story house in a large terrain and with natural landscape around it. The fact that the house is single-story provided a widespread deployment in the land that generated direct relations of all the environments with the outdoor areas landscaped, which increased the sensation of the built space and strengthened the use of the external areas as a continuity of the built environment. 7. Could you please go into detail about a few pieces of furniture,including why these were selected? The pieces of furniture were selected especially for each room, proposing an integrating of the spaces. The sofa in the living room, for example, integrate both spaces, the fireplace and the outside gardens. The mix of materials is certainly a charm in this project. In the dinning room, the wood dinning table signed by the Brazilian designer Theo Egami contrasts with the metal chairs feet by Fernando Jaeger. 8. Could you please go into detail about a few fixtures, including whythese were selected? The lighting is mostly made by points of indirect light, creating a more intimate look in the house. In the social central pavilion, spots were used facing the wood lining, creating a light effect on the wood. Some interesting pieces have been used in specific spaces, such as in the kitchen, hanging with the exposed wiring that run through the wall and ceiling until they reach the bench and lavatory point, where the architects used hydraulic copper pieces to create a luminaire exclusively to the project. 9. What did you intend to impart with the rooms and how are theydifferent from each other? The flat distribution of the house program gives all rooms and environments a sense of continuity beyond the limit built, since all have direct visual relation through glazed sliding doors with more than 1150 m² of free ground and high permeability index of the ground, have secured a generous area for landscaping that embraces the house by the front, side and back indents, and advance through the central core. The differences between the rooms are related to the user, 1 double suite fully integrated with the bathroom, which has a glazed shower facing the bedroom. There are two other similar suites, also with double beds, but to receive guests in the house and finally the children’s room, a suite that has two large beds that can be shared.

  • Downtown NYC Apartment Gets a Refreshing and Colorful Makeover

    Every New York City apartment has a style of its own and each one brings with it something unique in terms of how décor is used and overall visual appeal. This Downtown NYC apartment is no different with Rinaldi Interiors transforming a small apartment into a fabulous and colorful space where it is the furniture […]

    You’re reading Downtown NYC Apartment Gets a Refreshing and Colorful Makeover, originally posted on Decoist. If you enjoyed this post, be sure to follow Decoist on Twitter, Facebook and Pinterest.