|

Cedric Burgers Talks the Best of Canada, His Go-To Chair + More

Architect AIBC, MRAIC, LEED AP, and Accredited Passivhaus Designer Cedric Burgers had some help being set up for success, thanks to parents who fostered a creative culture and hard work. “In retrospect, it had a monumental influence on the young lives of us siblings,” he shares. “Dinner table discussions, often with pens and paper, where guests and family were compelled to describe, concisely and with diagrams, an idea or story. The act of drawing in real time in front of people is liberating and without shame. Constantly training that skill makes it normal, and it is now an essential part of my creative process with clients.”

Burgers holds a bachelor’s degree in anthropology and a master’s degree in architecture from the University of British Columbia. His experience level grew by working with Daniel Libeskind and Müller, Knippschild, Wehberg Landscape Architects in Berlin, Germany, after graduating. This all led to the eventual founding of BURGERS ARCHITECTURE.

Burgers first felt the magnetic pull of architecture in 1976, when Arthur Erickson designed the Museum of Anthropology. He had the chance to visit shortly after its opening, and his worldview shifted. “There is a famous space in the museum underground where a carving by Haida artist Bill Reid sits on a plinth of concrete and grey sisal carpet. The sculpture depicts the birth of man from a clam shell, topped by a huge raven. The piece is lit from above, as though it were in a forest clearing,” Burgers describes. “The entire experience is riveting; the serenity of the space and the story of the raven say so much about where we are and how to live here. It ignited two things in me: a fascination with first-nation art and culture and a love of architecture. The dialogue between them in this space is so potent, particularly because it is also in the modern context – it feels alive, of today. Importantly, the materials in the museum – concrete, cedar, glass, and sculpture – are muted in tone and texture and align with our light and climate. This, too, is part of the sensory experience.”

Based on the West Coast of British Columbia, Canada, BURGERS ARCHITECTURE is an award-winning architecture and interior design firm that’s earned itself a reputation for environmental stewardship by building legacy architecture that’s discerning and eco-conscious. To break it down further, BURGERS ARCHITECTURE focuses on forward thinking in the context of place via Critical Regionalism and High Performance Design. This takes into consideration any constraints that may be specific to a site or region so that it’s possible to create beautiful architecture while reducing the environmental footprint of the build. BURGER ARCHITECTURE is also accredited and known as an industry leader in Passive Housing.

Lately, Burgers says he finds himself writing more and more, approaching it from the same “try, repeat, be authentic” angle as design. “I am not fussed about a perfect piece; I’m interested in expressing an idea. Think-Do-Say is my mantra. We have been thinking and doing for decades now, and I have realized that there is a natural limit to this – to spread ideas, we need to speak and write,” he shares. “There are a lot of people now who are writing but haven’t done the thinking and doing part. I’ve been catching up on expressing myself and luckily have discovered the joy in writing and speaking.”

When asked about a favorite possession, Burgers managed to narrow it down to the ship’s oil lamp, designed by Erik Magnussen for Stelton. Void of any ornamentation, what the architect is most drawn to is that nothing can be added or taken away from the piece to improve its design. “The material, a softly polished stainless steel, has a velvet appearance, and the base is beautifully proportioned, containing enough oil for a summer’s worth of outdoor dinners,” Burgers says. “In architecture, this feeling of obvious simplicity is extraordinarily hard to achieve, given the complications of forces acting upon a building. Great design in objects like the ship’s lamp reminds me of what can and should be achieved.”

Today, we’re happy to have Cedric Burgers join us for Friday Five!

An art gallery displays three large, colorful abstract paintings on white walls. The room features wooden parquet flooring and ceiling track lighting.

Photo: Courtesy of Galerie Max Hetzier

1. The Paintings + Art of Karel Appel

This was the first contemporary Dutch artist I was exposed to as a kid, and I thought, “I could do this.” I still love his vibrant colors and the bold, brutal moves on canvas that feel painfully comical. I liked the idea that you can paint freely and not take yourself or work too seriously, I think about this a lot – that the need to feel childlike and loose when being creative is probably the hardest thing to do.

A pair of brown leather gloves with black wrist cuffs and the brand

Photo: Courtesy of Hestra

I have a pair for skiing and another for outdoor chores. Hands stay warm in the coldest conditions on the slopes (cross country skiing, ski touring, and hiking) and can handle all the outdoor work at home (firewood splitting, tree pruning, and wood hauling). There’s a reason this company has been around since 1936 and is in its fourth generation of leather glove making, the craftsmanship is outstanding.

A serene view of several forested islands and mountain ranges in the background, with calm waters reflecting the landscape during a hazy sunset.

Photo: Courtesy of Destination BC, Andrew Strain

Every summer our family gets on our sailboat, and we make our way up the BC shoreline towards the very best islands, small bays, and beautiful coves of our province. We’ll meet friends in Tenedos halfway into our trip and take turns jumping off of the boat to cool off before we throw down an anchor and stern tie to shore. Sailboats are compact, tight spaces, but somehow it’s the family holiday we enjoy the most together. If we start to feel a little cabin fever, we just move on to a new destination and find a new spot to cliff jump and play.

Two modern armchairs facing each other in a sunny room with large windows offering a view of the sea and trees. A table with a lamp and books is next to the chairs on a patterned rug.

Photo: Courtesy of Vitra

Visually it’s just so beautiful to look at, but to sit in it is to really understand Jean Prouvé as an engineer first, then architect/designer. It is ergonomically the most well-proportioned chair and allows just the right angle to hold a book or glass of wine after work, when it seems to feel the most comfortable.

Two people outside in a snowy landscape with one person adjusting a ski stroller while the other holds skiing poles. A wooden shed is in the background, and both are dressed in winter sportswear.

We have been cross-country skiing as a family since the kids were little babies and it was this chariot that enabled us to all participate as a family and keep us outdoors all winter to play. We have some of the most epic trails for Nordic skiing here in BC just an hour and a half away from our home. Whistler Olympic Park has world-class trails and a great lodge for an after-ski hot chocolate and bowl of chili.

Work by Cedric Burgers:

A modern three-story house with large windows and a sloped roof is surrounded by snow-covered trees on a winter day.

Buckhorn Photo: Ema Peter

Minimalist interior with a wooden staircase, large windows, and concrete walls. The view outside shows a body of water and a partly cloudy sky. A seating area is visible to the left.

Bellevue Photo: Martin Tessler

Modern house with large glass windows and sloped roof situated on a rocky, forested hillside. Trees and overcast sky are visible in the background.

Ocean Park Photo: Michael Boland

A modern house with large glass doors opening to a spacious patio. The interior features minimalist décor with a kitchen and living area overlooking a leafy landscape and water in the distance.

Bonnie Bay Photo: Ema Peter

Kelly Beall is Director of Branded Content at Design Milk. The Pittsburgh-based writer and designer has had a deep love of art and design for as long as she can remember, from Fashion Plates to MoMA and far beyond. When not searching out the visual arts, she’s likely sharing her favorite finds with others. Kelly can also be found tracking down new music, teaching herself to play the ukulele, or on the couch with her three pets – Bebe, Rainey, and Remy. Find her @designcrush on social.

Similar Posts

  • Chilmark House

    Martha’s Vineyard is home to the single largest concentration of our residential work and some of our earliest projects, including the Polly Hill Arboretum. Chilmark House, like many of these commissions, is immersed in the landscape and continually reconnects its inhabitants with the surrounding woods, pools of sunlight and nearby Vineyard Sound. Entire walls and windows are designed to vanish and erase boundaries between indoors and outdoors. We were guided in the earliest phase of the project by the couple’s wish for distinct public and private spaces and the site’s topography. The central public space—the living and dining areas–plus a sitting room in the guest wing, are oriented toward a kind of natural sun-filled well on the house’s south side. Interior load-bearing elliptical columns allow sliding doors and windows to make large openings to the south in the exterior walls. Opposite, on the north side, sliding windows create large gaps in the exterior, connecting the living room and kitchen directly to the woods and waters of the sound. Bedrooms are on the wooded edges, on the east and west sides. A roof deck, terrace and side decks create outdoor living spaces. Shortly after completion of this project, the couple asked us to begin designing a guesthouse nearby as their family continued to grow.

  • Villa Kivi

    VILLA KIVI Villa Kivi is a new generation log home on a tiny island in Finnish archipelago designed for himself by Finnish designer Vertti Kivi. Polar Life Haus, a Finnish wooden house manufacturer, was quick to pick it up for their collection. ‘The whole development process of the house was guided by our goal to bring the interior of the house together with the spectacular surroundings. We wanted to be part of sunset, snowstorm and even autumn storm on his tiny island in Finnish archipelago’, tells designer Vertti Kivi, the head of dSign Vertti Kivi & Co. ‘The starting point was a clear glass cube but we ended up creating glass walls reaching from the floor level up to the ceiling only to three sides of the structure. The north side with its separate sleeping rooms and bathroom is constructed of massive black wood beams that are in clear contrast to the glass and create feeling of cosyness and safety. Large terraces in one level create a sense of continuity between inside and outside. The floor plan is defined by Scandinavian clearness. The heart of the villa is the kitchen, located next to the entrance, and from there you can see the entire open interior and the surrounding sea. We like to think the kitchen island is like a DJ’s desk – the atmosphere of the whole interior space is created right there with the remote controlled lighting system. To guarantee the privacy of the bedrooms, they are located in the outermost corners of the villa, separate from each other. They too have one wall completely made of glass. An extra attention is paid on the details of the villa. Not a single molding can be found in the entire building. The doors have a hidden frame and they too reach from the floor to the ceiling. Drama and strong feeling are created by massive wooden surfaces and their color choices – snow white lacquer on the floor creates a contrast to the dark walls. To make the battened external walls coal black, we developed a special technique based on hundreds of years old Japanese traditions. In the evening, the atmosphere changes with different lighting schemes that can be timed to be in sync with nature. The end result is a clean-lined building in Scandinavian style which can be adapted to different needs and locations. It has a strong Finnish presence.