Corten Steel House Shaped by the Mountain Itself | Szoke House

Built for family and friends as a space for sport and gathering, the Fieldhouse is a simple, functional structure. Like the immersion of nature and recreation in the development of state and national parks of the early 20th century, this family wanted a structure where friends, family, and neighbors could gather, play sport, celebrate and relax in the country. The Fieldhouse feels distant and secluded, located on a mostly undeveloped seven-acre site, surrounded by a meadow of natural grasses, a fruit orchard, wetland ponds and a maintained field for sporting. As long time natives of the Pacific Northwest, the family was keen to convey a specific sense of place and longevity. The architecture responds to those ideas in its simplicity and versatility, and in its construction from durable, local materials. Inspiration was taken from vernacular stone and timber structures built across the country in the 1930s by the Civilian Conservation Corps. The architects and clients channeled their own recollections of summers spent in Seattle’s waterfront parks and their simple elegant structures, often by early 20th century Seattle architect Ellsworth Storey. The 1,664-square-foot structure consists of a covered outdoor patio flanked by two, offset and enclosed spaces housing a sun room and inglenook to the west, and a kitchen, grill and two bathrooms to the east. Designed to accommodate almost any situation, the Fieldhouse can shelter four as comfortably as it can 60, hosting sleepovers, family sports tournaments, reunions and outdoor dining with ease. The structure employs a gradient of enclosure and structural qualities from the immersive intimate inglenook to the ever thinning shed roof structure, gently lifting off above the central patio. The building can be shutdown to weather storms, or opened wide to allow light, air and activity to pass through freely. The structure provides a straight-forward and visibly-constructed language of materials. It progressively lightens from a solid stone base, to thick timber columns, to pairs of rafters and thinner yet pairs of purlins, supporting the single-plane shed roof. The timber is all Douglas fir and cedar harvested and salvaged from the Pacific Northwest. The stone is taken from a quarry on nearby Vancouver Island and the early, factory-style steel casement doors and windows are West Coast built. This timeless assembly of materials and method of construction suggest that this is a building about its surroundings and a stalwart of the region it resides in, functioning as well today as it will in 100 years. Hoedemaker Pfeiffer design team
Steve Hoedemaker, co-founder and partner
Justin Oldenhuis Project team
Hoedemaker Pfeiffer (Architecture)
Hoedemaker Pfeiffer (Interior Design)
Joseph McKinstry Construction Company (Contractor)
Swenson Say Faget (Structural Engineer)
Kenneth Philp Landscape Architects (Landscape Architect) Photography
Andrew Giammarco

Located in the Elysian Heights neighborhood of Los Angeles, the residence and detached artist studio are positioned to perceptually inhabit the adjacent community garden, and present views of the downtown skyline and surrounding hills, in addition to carving out an introspective landscape for the enjoyment of the family. Organized as a staggered sectional volume distributing program over three levels, the residence is situated over the utilitarian spaces located at street level. Living spaces occupy the multi-level second floor with direct access to the outdoors via the front deck and the rear terrace, physically expanding the interior. The third floor, accessed by the expressed scissor stair, consists of the bedrooms and bathrooms. Strategically placed apertures around the residence and studio encourage the spatial reverberation and dialogue between the activities of the home and the multiple and diverse terraces, decks, balconies, and landscapes of the property.

The project aims in creating an economically modest built form for an agriculturist and his family. Abstraction of urban farming could be seen in both exterior and interior spaces. The design uses the natural light and the built form to its advantage. The site abuts access way on the south and other two sides by adjoining structures. Its location is peculiar as the site is located in the city fringes. The surrounding dwelling unit comprises of peculiar semi urban row houses. South facade has the main entry and is flanked by a series of balconies and stepped terrace on each floor. Activities are distributed on various levels- semi private spaces on ground floor while private spaces on upper floors. The heart of the structure is the double heighted courtyard which is embellished with creepers and climbers. The green curtain cuts the direct entry of west sunlight inside the house and creates a buffer. The view from the spaces offers a glance of voluminous courtyard. The shape of the temple is evolved from the form of Shikhara – a feature of Hindu temple architecture. Temple with triple height factor acts as a wind tunnel with mechanical exhaust fan. Circular windows in bedroom, out looking the landscape serves as a natural picture frame. The basic building materials are kept to its natural form and texture to comprehend the naturality of flora.