|

daniel widrig’s working it out exhibition unveils process behind digitally-fabricated art

Working It Out: Daniel Widrig’s Exhibition Is a Process in Motion

Working It Out, a solo exhibition by artist, architect, and designer Daniel Widrig, is on view at the Neues Museum Nürnberg in Germany, through May 25, 2025. The exhibition transforms the gallery into an active studio environment, integrating digital design, fabrication, and public engagement within a museum setting.

Rather than presenting completed works alone, Working It Out emphasizes the processes behind their creation. Widrig’s ongoing production is visible throughout the duration of the exhibition, with the use of digital fabrication tools such as 3D printing, CNC milling, and robotic arms. The space is organized to accommodate live production, where raw materials, tools, and unfinished elements are displayed alongside final outcomes.

daniel widrig’s working it out exhibition unveils process behind digitally-fabricated art
Neues Museum Nürnberg – Exhibition detail | all images by NAARO

Working It Out displays both Unfinished and completed works

The exhibition title, Working It Out, references both the iterative nature of problem-solving and the physical dimension of material engagement. The layout and programming encourage transparency and interaction, with open workstations and scheduled workshops that allow visitors to observe or participate in digital sculpting techniques, including virtual reality modeling and generative design tools.

Widrig’s practice operates across multiple disciplines including sculpture, fashion, and architecture. His work has previously been exhibited at institutions such as the Centre Pompidou and the V&A, and includes collaborations like the 3D printed garments developed with designer Iris van Herpen. Working It Out continues London-based architect and designer’s investigation of computational aesthetics, material experimentation, and cross-disciplinary design methods. The exhibition framework positions the museum not only as a site of presentation but also as an active space for design research and production.

daniel widrig’s working it out exhibition unveils process behind digitally-fabricated art
Neues Museum Nürnberg – Exhibition detail

daniel widrig’s working it out exhibition unveils process behind digitally-fabricated art
TRAP (2024) – Chair detail

daniel widrig’s working it out exhibition unveils process behind digitally-fabricated art
Thornes (2024) – Sculpture detail

daniel widrig’s working it out exhibition unveils process behind digitally-fabricated art
Softcore (2025) – Foam-based sculpture

Similar Posts

  • Miner Road

    The clients are a couple of environmental scientists who, along with their two sons, relocated from the Oakland Hills to the warmer climate of Orinda. Their commitment to sustainability, including a request for net-zero energy performance annually, was evident in their thinking throughout the design process. A three-bedroom program began as a remodel of a 1954 ranch house at the foot of a hill next to a seasonal creek.  After finding the existing structure and soils to be unsuitable, the direction settled on reusing the existing footprint under the shade of a Valley Oak that had grown up close to the original house. The surviving portion of the original house is the fireplace which was wrapped in concrete and utilized for structural support. This made additional grading unnecessary and allowed the new house to maintain the same intimate relation to the old oak.  The family desired an open living layout that connected directly to the landscape. A mezzanine plan evolved with a double height family space nested with a master bedroom and study stacked above the kitchen and nook. A screened pacing deck for long phone calls shades the upper level from afternoon summer sun. Downstairs, secondary bedrooms along an extendable hallway, wrap an outdoor dining area situated between the kitchen and family room.  Construction materials and methods were considered in balance between first and lifecycle costs. The Corten steel rain screen for the exterior skin and interior wood were chosen to take advantage of zero annual maintenance cost and a shotcrete foundation allowed formwork to be repurposed for wood framing.  Single use material selections such as the Corten steel and shotcrete foundation reduced complexity in detailing and labor costs allowing a larger portion of the budget to be reallocated for upgraded mechanical, insulation, and glazing systems. The same attitude for interior finishes produced acoustically insulated, unfinished oak ceilings and walls. The sum total of the limited and landscape-driven materials presents a relaxed and quiet built environment that allows the senses to focus on the natural environment. A haptic connection to the rhythms of our planet is evident.  A 14-gauge Corten rain screen provides a no-maintenance skin. High levels of insulation and glazing efficiency reduce heating and cooling loads. An 8.1kW photovoltaic system provides on-site renewable energy and produced more electrical energy than the house used the first year. Rainwater is collected via a waterfall from the roof at the end of the hallway. Buried tanks store water for use in toilets and laundry. Greywater is collected separately and reused for irrigation. Electronically commutated motors and variable speed heat pumps are used to further limit energy use and control heating and cooling. An energy recovery ventilator is used to provide fresh air.