How This Australian Beach House Connects to the Coast Is on a Whole Other Level

On the outskirts of Sydney, Bundeena Beach House’s green roof and sculptural skylight are just the tip of the iceberg when it comes to honoring the environment.

The green roof is planted with local succulents, including cascading pigface.

Known for its picturesque beaches and bush walks, the coastal town of Bundeena lies within a Royal National Park an hour’s drive south of Sydney. It’s here, on a small, rocky headland at the end of a secluded beach, that a Sydney-based family of four decided to build a weekend retreat. They approached Grove Architects with a simple brief—to create a new home that was all about its connection with the environment.

Bundeena Beach House connects the street and wider community to the water views beyond thanks to its low-lying form and a native roof garden, which the architect describes as a

Bundeena Beach House connects the street and wider community to the water views beyond thanks to its low-lying form and a native roof garden, which the architect describes as a “green infinity edge.”

Michael Nicholson

Prior to the home being built, the site was unattractive and poorly utilized, occupied by a run-down, fiberboard shack. Although the site had stunning, uninterrupted water views, the steep slope from the road to the beach was challenging in the design process. Architect Sky Grove also saw the need for a high level of sensitivity and good citizenship.

A fully glazed wall—which incorporates both louvres and sliding doors—connects the dining room and kitchen to the deck and garden. The natural slope of the site replaces the need for a fence between the garden and the beach.

A fully glazed wall—which incorporates both louvres and sliding doors—connects the dining room and kitchen to the deck and garden. The natural slope of the site replaces the need for a fence between the garden and the beach.

Michael Nicholson

“When we talk about good citizenship, we are referring to the need for architecture to not only respond to its own site and brief, but also to respond to its greater context,” says Grove. “In this case, we felt that opening up views toward the water across the site would be of huge benefit to the community. We also saw an opportunity to engage with the community by opening up the boundaries of the house’s garden and connecting it directly with the adjacent public reserve.” 

So, instead of attempting to relate to its built context—which is characterized by walled gardens and garages—the low-set home provides a moment of relief, connecting the street with the beach and water beyond.

The green roof is planted with local succulents, including cascading pigface.

The green roof is planted with local succulents, including cascading pigface.

Michael Nicholson

See the full story on Dwell.com: How This Australian Beach House Connects to the Coast Is on a Whole Other Level

Similar Posts

  • House LV1 (house nanchi 1 y 2)

    CASA LV1 (casa nanchi 1 y 2)
    BRIEF DESCRIPTION OF THE CONSTRUCTION
    The Casa LV1 (casa nanchi 1 and 2), is a multi-familiar conformed by two houses constructed in the same land, the main material used for its construction was white striated concrete.
    DESCRIPTIVE MEMORY
    The Casa LV1 (casa nanchi 1 and 2) is a complex of two houses designed for a family an elderly couple, their young daughter and their granddaughter. Each house has the necessary privacy for each development, with the interrelationship and coexistence of the family; they are located in an irregular diamond-shaped land of approximately 250m2, a gradient over 10% with a view to the southeast.
    The Casa nanchi 1, on its main floor has: living room, dinning room, kitchen, bathroom, main bedroom with closet and its own bathroom, this floor is directly connected with the service area; the lower floor has a hall, two bedrooms with closet and its own bathroom; the upper floor has a roofed recreation room and a garden terrace. All the floors are connected by a stair, and has a parking lot. The total constructed surface is of 160 m2.
    The Casa nanchi 2 has on its main floor: living room, dining room, kitchen, bathroom and service area; on the upper floor it has: main bedroom with closet and its own bathroom, an additional bedroom with closet, a little play room and a bathroom; on the lower floor, where the entrance is, has: two parking lots and an exterior stair which is connected to the other floors. The total constructed surface of the house is 145 m2 excluding parking lots.
    Both houses share main entrance, service yard, green spaces and services.
    The houses are named after the nanchi tree (byrosonimacrassifolia) that is located in that land; it was respected and the project was adapted around it, to make it a natural decoration for the dinning room of the Casa nanchi 1. This house was designed for an elderly couple and it has a terrace in the upper floor, which is a recreational and relaxing space with a view of the surroundings to enjoy with the company of family, friends and guests. It has a double-height space which allows the development of the tree.
    The design of the Casa nanchi 2, which was designed for the daughter and granddaughter of the family, is inspired in the Brno chair, designed by the architect Ludwig Mies van ser Rohe, which not only allows a large volume, but also an efficient and free structural principle because with this solution is obtained an overhang of 4.85 m with a support of 2.85 m, generating a space without any support under the construction.
    The concept of the houses is derogates no only from the connection (interior-familiar, exterior-landscape), but also from the visual freedom that people perceive before entering in the house and also in the interior of them. This is fulfilled by the volumetric integration that defined the spaces of each house, both prisms have specific substractions that allow a formal integration of the two elements; in the Casa nanchi 1 the terrace is subtracted and in the Casa nanchi 2 the parking area is subtracted, transforming both elements without losing its integrity.
    The connection of both houses is so important that is not only achieved materially with the union of the two architectonic objects from the common entrance, connotating the link of the family, but also with the landscape, through the transparency in the facade of the two houses, which creates a visual freedom for the inhabitants. This gives a greater illumination of the spaces, producing a feeling of spaciousness and allows the air circulation due to the large windows that are handled by the users.
    The material, white striated exposed concrete and stone dust of the region, recalls the honesty of the materials, this simplicity benefits the environment, because it doesn’t use coatings in walls, fooors or roofs, contributing the less possible to the pollution. The exposed finishes means less production, transportation and utilization of pollutant materials. As said before, the free circulation of air allows a constant cleaning of the interior air which allows a natural regulation of the temperature, achieving termic comfort for the users and reducing the use of electronic devices that cools artificially the place. Besides, the same large windows avoid the unnecessary use of artificial illumination during the day allowing the entrance of sunlight in the morning.

  • W72nd Penthouse

    Located in the historic Oliver Cromwell Building, The W72nd penthouse inhabits the top three floors of the historic building in the Upper West Side of Manhattan. With commanding views of Central Park, it’s an awe-inspiring refuge from the frenetic pace of NYC. The clients, a financier and a tech entrepreneur, one from Pakistan and the other a Detroit native, longed for a cozy retreat to counterbalance their busy lifestyle. The fusion of two cultural backgrounds are apparent in the mixtures of textiles and material selections throughout the home. With two growing daughters and a steady stream of houseguests, the project aimed to accommodate their family as well as act as a secluded shelter away from city life. The space is first met with a glimpse of a stunning oak herringbone floors and steel circular staircase that connects all three floors and serves as the central backbone of the space. Facing the staircase is the main floor living and dining area perfectly framed as the home’s first introduction to the space. The area showcases an eclectic art collection and a library for the voracious literary appetite of the homeowners along with objects of curiosity from the client’s travels. Instantly eye-catching is the dining area which features a stunning dining table and leather chairs and flanked by a banquette covered with a custom Suki Cheema textile. Adjacent is a small media room punctuated by a bright red Ligne Roset couch. The tiered floor plates provided a challenge for maximizing space as each level gets increasingly smaller as you go up. The design team began to think like a shipwright to design unexpected built-ins that evoke the feeling of being in a sailboat in the sky. On the second floor, up the oak and steel staircase, is small office, a bedroom with two beds in a unique head-to-toe configuration surrounded by figured maple built-in storage looking to the prominent views of the penthouse’s towering over Manhattan. Also, on the second floor is a bathroom, a small kitchenette, and a gracious balcony that continues to overlook to the busy cityscape below. The open spaces of the circular stairwell continue up to the third-floor feature integrated fire shutters that slide down to create privacy for the whole second floor. Continuing up the stairs is a generous master bedroom and master bath. The master bathroom is class wall to wall in hand- made colored Moroccan tile juxtaposed with modern fixtures and fittings.