I Found the Newest affordable PREFAB HOME in America!!

The Hamptons is a setting where there is no shortage of opulent homes that take their homeowners away from constant urban rush. But the Amagansett House is a touch different from the others in the neighborhood both on the outside and the inside. Designed by Jessica Helgerson Interior Design, the house was specifically created to […]

You’re reading Modern Hamptons Getaway Charms with a Muted Scandinavian Style, originally posted on Decoist. If you enjoyed this post, be sure to follow Decoist on Twitter, Facebook and Pinterest.

California living’s never looked so good. Take a peek at the homes from the Dwell community that caught our editor’s eye this week.

Located in a quiet street in one of the most emblematic neighborhoods in Mexico City, this project is an intervention that has its roots on the understanding of the urban and social dynamics in Mexico City. Lirio 7 has an interesting history; as an Art Déco building, originally housed public baths during the 30s, then in the 50s became a sanatorium, and before its abandonment, it was the headquarters of a security company. Considering this conditions, we took advantage from an abandoned building without any recognized heritage value by local authorities, to restore it and offer a specific model of housing that recovers the historical value of Santa María La Ribera neighborhood. The design process is based on the concept of a central patio and its perimeter circulation, which was adapted into a new layout to create 12 new apartments where the main corridor becomes part of the home. In this type of buildings, this circulation is a public place and the challenge on making it private leads to define an enclosure that plays with the visuals. The dwellings are arranged around the patio, orienting their view to it, which is considered as a place of introspection, not so much as circulation. Concrete elements of different heights acts as planters, dampen the sound of the water from the recovered fountain and support the discourse of circulations, interposing themselves to the visuals, again to guide and give privacy to the user. Each of the houses therefore has ventilation and daylight entrance. The first and second floors have a greater free height, typical of the original construction moment, allowing a greater volume of use of spaces. The third level, from the 50s as well as the new structures implemented on deck, maintain a standard height more like that the required by current construction regulations. A perforated concrete prism, outstands from the patio’s façade, creating a visual contrast without stealing it protagonism. With a different materiality and density from the rest of the project, this volume patches the view from the outside, creating a light and shadows game towards the last apartment, and allows the user to enjoy the views.

This is a full-time beach house for a car passionate family of four situated across from Burnt Cedar Beach in Incline Village, Nevada on the north shore of Lake Tahoe. Prior to being pulled up the hill to flumes and rails destined for Virginia City, logs were staged here as the mountains around the lake shore were logged during the silver mining years of the 1860s. Set into a neighborhood originally built in the 1950s and bordered by houses to the sides and rear, the house takes a simple box form, half buried into the slope. It faces the lake with full height glazing that encloses a loft-like plan with double height living spaces. The clients requested a space that felt like the landscape and maintained a feeling inside of being outside in the light and shadow play of the sixty to ninety-foot Jeffrey and Ponderosa pines that populate the lake shore.  Perforated wood ceilings and acoustical plaster walls soften the sounds of the concrete and glass pavilion-like house. An underground garage is excavated under the house with level access to the street, a must in this snowy climate for a family with an eclectic car collection.