| |

MAD’s Interactive Installation in Venice Imagines a Future Where Humans and Nature Harmonize

City of Plants by MAD Architects at the Venice Architecture BiennaleCity of Plants by MAD Architects at the Venice Architecture Biennale

The Venice Architecture Biennale once again solidifies its place as an incubator of innovation thanks to an intriguing interactive installation by MAD Architects. The firm, led by Ma Yansong, adds to its presence at the event with City of Plants. The installation, created under the invitation of Biennale curator Carlo Ratti, explores how our relationship with nature will shape the future of the urban landscape.

City of Plants is made from three components—a responsive base fitted with sensors, an integrated audio-visual system, and three connected ecological landscapes housed under dome-like structures. Sensors monitor the status of the plants, measuring data such as humidity, temperature, and light intensity. This information is then used to create a dynamic soundscape that fills the exhibition area.

Visitors also participate in the experience, as their footsteps hit additional floor sensors that add to the soundscape using a custom algorithm. In this way, humans and plants come together to feed the atmosphere, symbolizing the manner in which “the richness of human sensory experience within nature becomes the primary measure of urban quality.”

The entire installation is enclosed inside a larger dome, creating an intimate environment for experiencing City of Plants. Through its mixture of cutting-edge technology, design, and ecology, MAD’s experiment is perfectly in line with this year’s theme, “Intelligens. Natural. Artificial. Collective.” The theme, selected by Ratti, asks architects and designers to demonstrate how the natural world and smart technology can come together to improve our future in a time when we’re losing stability.

“In the time of adaptation, architecture is at the center and must lead with optimism,” shares Ratti. “Architecture must become as flexible and dynamic as the world we are now designing for.”

City of Plants, which is on display in Venice’s Arsenale area, certainly embodies this spirit. And it’s not MAD’s only contribution to the Biennale. City of Plants complements their outdoor installation, Chinese Paper Umbrella, which sits outside the China Pavilion, also designed by the firm.

The Venice Architecture Biennale runs until November 23, 2025.

MAD Architects furthers its contributions to the 2025 Venice Architecture Biennale with City of Plants.

City of Plants by MAD Architects at the Venice Architecture BiennaleCity of Plants by MAD Architects at the Venice Architecture Biennale
City of Plants by MAD Architects at the Venice Architecture BiennaleCity of Plants by MAD Architects at the Venice Architecture Biennale

This interactive installation symbolizes a future where “the richness of human sensory experience within nature becomes the primary measure of urban quality.”

City of Plants by MAD Architects at the Venice Architecture BiennaleCity of Plants by MAD Architects at the Venice Architecture Biennale
City of Plants by MAD Architects at the Venice Architecture BiennaleCity of Plants by MAD Architects at the Venice Architecture Biennale

MAD: Website | Instagram | Facebook

Photos by Demone. My Modern Met granted permission to feature photos by MAD.

Related Articles:

Futuristic Space Greenhouse Is Designed To Grow Plants for Earth Dwellers

Giant Filtration System Serves Espresso Made With Water From Venice Canals

24 Designers Reimagine How Walls Can Shape Public Space at the 2025 Seoul Biennale

MAD Architects Design Light and Bright “Garden Airport” Terminal Inspired by Nature

Similar Posts

  • W72nd Penthouse

    Located in the historic Oliver Cromwell Building, The W72nd penthouse inhabits the top three floors of the historic building in the Upper West Side of Manhattan. With commanding views of Central Park, it’s an awe-inspiring refuge from the frenetic pace of NYC. The clients, a financier and a tech entrepreneur, one from Pakistan and the other a Detroit native, longed for a cozy retreat to counterbalance their busy lifestyle. The fusion of two cultural backgrounds are apparent in the mixtures of textiles and material selections throughout the home. With two growing daughters and a steady stream of houseguests, the project aimed to accommodate their family as well as act as a secluded shelter away from city life. The space is first met with a glimpse of a stunning oak herringbone floors and steel circular staircase that connects all three floors and serves as the central backbone of the space. Facing the staircase is the main floor living and dining area perfectly framed as the home’s first introduction to the space. The area showcases an eclectic art collection and a library for the voracious literary appetite of the homeowners along with objects of curiosity from the client’s travels. Instantly eye-catching is the dining area which features a stunning dining table and leather chairs and flanked by a banquette covered with a custom Suki Cheema textile. Adjacent is a small media room punctuated by a bright red Ligne Roset couch. The tiered floor plates provided a challenge for maximizing space as each level gets increasingly smaller as you go up. The design team began to think like a shipwright to design unexpected built-ins that evoke the feeling of being in a sailboat in the sky. On the second floor, up the oak and steel staircase, is small office, a bedroom with two beds in a unique head-to-toe configuration surrounded by figured maple built-in storage looking to the prominent views of the penthouse’s towering over Manhattan. Also, on the second floor is a bathroom, a small kitchenette, and a gracious balcony that continues to overlook to the busy cityscape below. The open spaces of the circular stairwell continue up to the third-floor feature integrated fire shutters that slide down to create privacy for the whole second floor. Continuing up the stairs is a generous master bedroom and master bath. The master bathroom is class wall to wall in hand- made colored Moroccan tile juxtaposed with modern fixtures and fittings.

  • |

    Gabriel Rivera designs brick Ecuadorian house and riding school

    Ecuadorian studio Gabriel Rivera Arquitectos has completed a brick house and riding school in the Andes Mountains, complete with a gabled roof and dogtrot breezeway. Based in Quito, Gabriel Rivera Arquitectos completed El Picadero in 2022 in Lasso, Ecuador, an agricultural area near the Cotopaxi volcano. The 5,000-square metre (1.25-acre) rectangular site is characterized by

    The post Gabriel Rivera creates brick house and riding school in Ecuador appeared first on Dezeen.