|

rosan bosch designs nature-integrated garzón school in a eucalyptus forest in uruguay

A New Learning Landscape by Rosan Bosch Studio

Danish firm Rosan Bosch Studio unveils The Garzón School, a rural project which unfolds within a dense eucalyptus forest in Maldonado, Uruguay. Reaching the school requires a walk through the landscape, past a lake and into a clearing where wooden structures gather like a small village. There is no perimeter, no formal gate, just an atmosphere of openness where the boundaries between school and forest dissolve into one another.

The project is designed as a continuous interplay between architecture and its surrounding ecology. The concept invites learning to happen both indoors and outdoors, with movement between these environments guided by curiosity rather than instruction. The campus is not organized around corridors or classrooms in the traditional sense, but by an unfolding of space that reflects the natural rhythm of the land.

garzón school rosan bosch
images © Eleazar Cuadros

Designing with Nature at the Center

With the design of the Garzón School, Rosan Bosch Studio integrates biophilic principles, drawing on the textures and materials of the forest itself. Wooden structures are finished with the Japanese charring technique Shou Sugi Ban, lending both weather resistance and a tactile sense of permanence. Around the buildings, native vegetation, wooden play elements, and open paths encourage continuous exploration. Each decision is informed by the belief that nature teaches alongside teachers.

Inside the school, the architects develop differentiated spatial zones based on six archetypal learning modalities. These ‘Learning Worlds’ include spaces for quiet reflection, collaborative dialogue, experimentation, movement, and hands-on engagement. The result is a built environment that does not impose a hierarchy of space but rather offers meaningful choices for students to shape their own learning paths.

garzón school rosan bosch
the architecture invites students to move freely between indoor and outdoor spaces guided by curiosity

the Garzón school’s Expanding Vision

Rather than being conceived as a backdrop, the architecture of the Garzón School becomes part of its educational philosophy. Rosan Bosch Studio designed the project in dialogue with teachers and inclusion professionals to support a curriculum rooted in inquiry, autonomy, and self-discovery. Every zone is calibrated to expand students’ sense of agency, shifting the focus away from passive absorption of knowledge to active participation.

The siting of the campus within a forest landscape gives it a sense of being both of the land and apart from it. Rosan Bosch Studio established the built environment as a modest village within the woods, its scale designed to welcome rather than overwhelm. Brick plazas echo regional construction traditions, while the open plan fosters chance encounters and collective gatherings beneath the canopy.

Since opening the first phase of the campus in March 2025, the school has grown into a model of nature-integrated learning. Rosan Bosch Studio continues to lead the design of its future phases. This long-term development signals a shift in how schools in Latin America might engage with architecture as a shaping force in the daily experience of students and educators alike.

garzón school rosan bosch
the design uses biophilic principles and sustainable materials including charred wood and native vegetation

garzón school rosan bosch
learning environments are divided into six spatial zones

garzón school rosan bosch
the school’s layout resembles a village and blends regional traditions with contemporary educational values

Similar Posts

  • Space in the Wall

    Space in the Wall The thought process regarding the challenging tall and narrow structure centers around a space that flows through the building and functions as a light cone that allows daylight to pierce through all the way to the basement and a joint wall, made of exposed concrete in “board” configuration, divided into squares, separated from the exterior wall of the house, which is made of glass, and acts as an artistic, somewhat “Brutalistic” element the house, one half of a two-family dwelling on a 220 square meters lot, and 360 square meters built, is designed for 2 young families with 2 children each, each family has 2 floors, the first family has the ground floor (living room, kitchen, dining room and garden) and basement (bedrooms and pool). The second family has the first floor (bedrooms) and the top floor (living room, dining room and a garden balcony)
    The front of the building that faces the street is made with a combination of concrete, steel and wood. We’ve used these natural materials throughout the building. Stairs and banister from steel plates on the ground floor and a banister and counter-top with a sink out of steel grid on the first floor.
    the flooring is out of concrete, with the concrete wall “accompanying” the entire house. Wood beams in the kitchen, the ceiling, a vertical shading and the floor.
    The challenge to create a living space while using every available inch and maintaining privacy, while communicating with the residents who are design enthusiasts was completed with 2 modern villas, each with its own connection to the outside and with a unique and fashionable living space in the dense urban surrounding. Architect: Yulie Wollman
    Photography: Shai Gil