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Sited gently on the lower slope of a dramatic sixty foot high coastal bank and surrounded by miles of undeveloped Cape Cod National Seashore beaches and scrub pines is a warm, modern beach house that is more than just a place to enjoy uninterrupted ocean views and sea breezes. Our clients dreamed of a house that would work equally well as both a year-round family “camp” and also as a “thinking retreat” for collaborating with their colleagues. From the beginning of design it was critically important to us and to our clients – as well as the Town Conservation Commission and National Seashore representatives – that the house fit into its fragile site seamlessly. Our team responded with great care by designing the house to curve and shift softly with the natural topography and also by envisioning the new native and drought resistant landscaping growing back tight to the house as if both had always been there together. The main house is conceived of as a collage of overlapping, cantilevered planes and volumes that culminate in a large living / dining space defined by an asymmetrically arcing copper roof plane. Entry to the house is by way of a long ramp through what will in a few years be a thicket of native pines and bushes, then through curving cedar shingled planes. The inland side of the house is tucked into its shifting, sandy landscape and is comprised of cedar shingled planes that float above the ground and contain bedrooms, bathrooms, and the kitchen, and lower volumes of horizontal tongue and groove cedar boards that enclose bedrooms and a gathering space for teenage sons. On the Cape Cod Bay side, the house opens up through walls of glass to endless water views and heavenly sea breezes. In the middle of the house, just inside the front door, is an architectural “hole” that allows the house to breathe and cool itself naturally most of the year through its floor to ceiling awning windows, and which also provides views of the sky from a shady breezeway on the lower level. Along one wall of the hole is a trellis planted with evergreen and seasonally aromatic flowering vines. On the Cape Cod Bay side, the house opens up through walls of glass to endless water views and heavenly sea breezes. In the middle of the house, just inside the front door, is an architectural “hole” that allows the house to breathe and cool itself naturally most of the year through its floor to ceiling awning windows, and which also provides views of the sky from a shady breezeway on the lower level. Along one wall of the hole is a trellis planted with evergreen and seasonally aromatic flowering vines. Separated from the main house by a screen porch and contiguous deck, is a separate art / yoga / thinking studio that seemingly floats fourteen feet above the ground. Inside is a single large loft space as well as a full bath, and below is an open-air summer art studio and boat / beach toy storage, behind walls of wood slats and matching barn doors.

Designed in 1966 by Wright’s student Herb DeLevie, this home in Madison, Wisconsin, includes an unusual converted sunroom.

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This Danish home’s IKEA kitchen gets a fresh look thanks to Muller Van Severen’s inspired pairing of marble and polyethylene.

The site has the typical challenges of many urban lots in Ho Chi Minh city: abutted by tall neighboring houses, small developable area relative to the clients’ program, and compromised access to daylighting and natural ventilation. Due to the height restriction, the house was pushed 1 level below the ground to accommodate the large program. In an effort to solve as many issues as possible, we proposed a concrete column system hidden inside the north and south concrete wall that face the neighbors, acting as the primary structure for the house and freeing up the space in-between. These concrete walls provide privacy to the clients and their family, and open up the east and west facade for views and outdoor-indoor connection. Because the column system extends continuously from the basement to the roof, the concrete beams spanning in-between can be moved vertically without any structural concerns. This flexibility also meant total discretion to determine the elevations of the upper floors–which we intended to take advantage of. By convention, the program is stacked floor-by-floor to maximize the usable area of a small lot which could result in monotonous and isolated spaces. We wanted to do just the opposite: visually and spatially connecting the different parts of the house together by splitting the floor plates, and then cascading them to create a multi-story atrium. In this space, life unfolds naturally; once a family member steps out of the bedroom, he/she will be in an all-connected “room”, and in the company of another member, whether that person is on the other side of the atrium or 2 levels above. In addition to spatial articulation, this atrium brings daylighting down to the basement, and–working with the 2 sunken gardens which are naturally filled with cool air–aids the stack effect by letting the hot air rises to the top. The temperature of the lower floors, as a result, becomes more comfortable. From the outside, Cascading House looks solid as a rock that provides sturdy shelter. The interior, however, feels as porous as a sponge soaking up natural light and air, and brings family members closer together–the qualities that make this house a home.