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Architect Designs A Contemporary House With A Unique Interior Design (House Tour)

ByMyProperty Life

Located on Telegraph Hill, a meticulously preserved locale in San Francisco, Hidden House breaks away from conventional architectural styles and emerges as a contemporary house amid the historical backdrop of the city. To realise the project, OPA demonstrates contextual sensitivity with the facade, which features timber as well as a traditional bay window with extensive glazing, fitting for the streetscape. Furthermore, the facade is adorned with wooden panels transitioning from vertical to horizontal orientations, symbolising contemporary innovation over traditional craftmanship.

The contemporary house is composed of three fundamental elements. The house tour unveils how the facade of the home serves as a disguise, concealing the inner workings of the residence along with its modern interior design and architecture. Additionally, the unique house boasts two distinct zones, each with its own character and personality. One zone presents a vertical and abstract aesthetic, where the materiality is obscured by vibrant blue paint, while the other exudes a raw and refined charm. The initial zone aims to immerse visitors in a psychological experience, utilising colour as a bold element within the home’s interior design, despite its relatively low cost compared to other features. Transitioning to the second zone of the contemporary house, OPA has achieved a strikingly contrasting effect. In this area, materials are expressed in their raw and refined forms, all oriented horizontally. This deliberate choice fosters a juxtaposition between the two zones while maintaining a connection that allows them to harmonise seamlessly. Furthermore, the spirit of expression is intricately woven into the interior design and decor, instilling a sense of spontaneity and dynamism throughout the space.

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For the lighting, the architect has installed two systems. In the second zone, meshed sheet modules with LED strips are fitted. Ultimately, the overarching idea is to unify the entire space while juxtaposing the spotlighting in the blue zone. The spotlights in this area serve a directional purpose rather than casting light horizontally, helping to distinguish between spaces and materials. With an emphasis on illuminating the central areas of the home, including the kitchen, OPA incorporates a skylight to welcome natural light deep into the contemporary house. Additionally, the skylight’s illumination adds a layer of complexity to the interior, contributing moments of expression to the interior design and enriching the character of the home. True to San Francisco’s architectural style, the unique family home artfully conceals its contemporary nature behind a metaphorical mask, reminiscent of the traditional facades of neighbouring residences.

00:00 – Introduction to the Contemporary House
01:13 – The Three Basic Components and Zones
02:14 – The Collage of Materials
03:05 – Capturing Spontaneity and Dynamism
03:30 – The City of San Francisco
03:56 – Tying Spaces Together Through Light
05:25 – Proud Moments

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Photography by Joe Fletcher.
Architecture and interior design by OPA.
Build by Forsyth General Contractors.
Filmed and edited by Cheer Squad.
Production by The Local Project.

Read another article:Revamped Small Barcelona Apartment Combines Multiple Styles and Finishes

Location: San Francisco, California, United States

The Local Project acknowledges the traditional territories and homelands of the Indigenous peoples in the United States. We recognise the importance of Indigenous peoples in the identity of our respective countries and continuing connections to Country and community. We pay our respect to Elders, past and present, and extend that respect to all Indigenous people of these lands.

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  • House LV1 (house nanchi 1 y 2)

    CASA LV1 (casa nanchi 1 y 2)
    BRIEF DESCRIPTION OF THE CONSTRUCTION
    The Casa LV1 (casa nanchi 1 and 2), is a multi-familiar conformed by two houses constructed in the same land, the main material used for its construction was white striated concrete.
    DESCRIPTIVE MEMORY
    The Casa LV1 (casa nanchi 1 and 2) is a complex of two houses designed for a family an elderly couple, their young daughter and their granddaughter. Each house has the necessary privacy for each development, with the interrelationship and coexistence of the family; they are located in an irregular diamond-shaped land of approximately 250m2, a gradient over 10% with a view to the southeast.
    The Casa nanchi 1, on its main floor has: living room, dinning room, kitchen, bathroom, main bedroom with closet and its own bathroom, this floor is directly connected with the service area; the lower floor has a hall, two bedrooms with closet and its own bathroom; the upper floor has a roofed recreation room and a garden terrace. All the floors are connected by a stair, and has a parking lot. The total constructed surface is of 160 m2.
    The Casa nanchi 2 has on its main floor: living room, dining room, kitchen, bathroom and service area; on the upper floor it has: main bedroom with closet and its own bathroom, an additional bedroom with closet, a little play room and a bathroom; on the lower floor, where the entrance is, has: two parking lots and an exterior stair which is connected to the other floors. The total constructed surface of the house is 145 m2 excluding parking lots.
    Both houses share main entrance, service yard, green spaces and services.
    The houses are named after the nanchi tree (byrosonimacrassifolia) that is located in that land; it was respected and the project was adapted around it, to make it a natural decoration for the dinning room of the Casa nanchi 1. This house was designed for an elderly couple and it has a terrace in the upper floor, which is a recreational and relaxing space with a view of the surroundings to enjoy with the company of family, friends and guests. It has a double-height space which allows the development of the tree.
    The design of the Casa nanchi 2, which was designed for the daughter and granddaughter of the family, is inspired in the Brno chair, designed by the architect Ludwig Mies van ser Rohe, which not only allows a large volume, but also an efficient and free structural principle because with this solution is obtained an overhang of 4.85 m with a support of 2.85 m, generating a space without any support under the construction.
    The concept of the houses is derogates no only from the connection (interior-familiar, exterior-landscape), but also from the visual freedom that people perceive before entering in the house and also in the interior of them. This is fulfilled by the volumetric integration that defined the spaces of each house, both prisms have specific substractions that allow a formal integration of the two elements; in the Casa nanchi 1 the terrace is subtracted and in the Casa nanchi 2 the parking area is subtracted, transforming both elements without losing its integrity.
    The connection of both houses is so important that is not only achieved materially with the union of the two architectonic objects from the common entrance, connotating the link of the family, but also with the landscape, through the transparency in the facade of the two houses, which creates a visual freedom for the inhabitants. This gives a greater illumination of the spaces, producing a feeling of spaciousness and allows the air circulation due to the large windows that are handled by the users.
    The material, white striated exposed concrete and stone dust of the region, recalls the honesty of the materials, this simplicity benefits the environment, because it doesn’t use coatings in walls, fooors or roofs, contributing the less possible to the pollution. The exposed finishes means less production, transportation and utilization of pollutant materials. As said before, the free circulation of air allows a constant cleaning of the interior air which allows a natural regulation of the temperature, achieving termic comfort for the users and reducing the use of electronic devices that cools artificially the place. Besides, the same large windows avoid the unnecessary use of artificial illumination during the day allowing the entrance of sunlight in the morning.