This New Zealand Design Duo’s Headquarters Are as Fresh and Lighthearted as They Are

George & Willy’s signs and display systems are minimalist, functional, and playful. Same goes for their new offices in a revamped warehouse.

The meeting room/lunch space features several of George & Willy’s message displays.

Will McCallum and George Wilkins weren’t having much luck at outdoor craft marketplaces. They liked the items they’d been designing since their university days, and so did their friends, but sales were “meh.” So they went online, and lo and behold, they were suddenly where they’d aspired to be: in the global market.

From the start, the friends—who first met at ages 12 and 13—designed simple, functional items. “With most of our products, we thought, ‘That would be cool—I’d quite like to own one of those myself,’” says McCallum. The roster included furniture, lamps, duffel bags, an indoor swing, and a wall-mounted roller to dispense kraft paper ideal for to-do lists, menu plans, or doodles against the kitchen wall. Along the way, the paper roller really took off—it’s still their bestseller—and the pair realized if they truly wanted to make it big internationally, they’d need to focus on similarly useful, easy-to-ship items. They tailored their product line and adopted the motto “Making everyday tools great again” to describe the hip, minimalist sign and display systems that have become their specialty.

George & Willy announces itself with a flag sign that they no longer produce. The meeting room’s plywood wall has a message display system that makes use of metal rails and Scrabble- like wood tiles.
The meeting room/lunch space features several of George & Willy’s message displays.

The meeting room/lunch space features several of George & Willy’s message displays. “We don’t really have titles around here,” says co-founder George Wilkins. Even so, pup Frida is the official Head of Morale.

Photo: Simon Wilson

George Wilkins stands in front of a green chalkboard sign system that serves as a

See the full story on Dwell.com: This New Zealand Design Duo’s Headquarters Are as Fresh and Lighthearted as They Are

Similar Posts

  • The Francis Residence, 1952

    Willard Hall Francis, Architect The Francis Residence, 1952. Located on 3/5 of an acre in the highly-desirable Crestwood Hills neighborhood of Brentwood, this vintage mid-century modern home is preserved in time, cherished in its original condition and ready for the next steward to be brought lovingly into the new millennium. The open plan is organized around a central atrium, with floor-to-ceiling glass and clerestory windows bringing natural light into every room. A wood-burning fireplace warms the public spaces, and each room is articulated with old-growth redwood siding, authentic cabinetry and custom built-ins. Down to the last detail, the classic tile, antique hardware and rare light fixtures remain intact. While the large site with more than half an acre appears to provide ample room for additions, remodeling, a second story and even larger development opportunities, the existing home most likely qualifies for historic landmark registration and attendant property tax benefits. ALL PHOTOS COURTESY OF SUZY POLING

  • Office for Visual Effects Studio Combines Industrial Style with Creative Spaces

    A high-end VFX design studio demands a very special style of architecture and StudioAC delivers in this regard with the ARTJAIL Offices in Toronto. The office feels modern and elegant with the existing industrial elements of the building being carefully intertwined with modern overtones. A number of new spaces were added to the existing floor […]

    You’re reading Office for Visual Effects Studio Combines Industrial Style with Creative Spaces, originally posted on Decoist. If you enjoyed this post, be sure to follow Decoist on Twitter, Facebook and Pinterest.