Slatted Beach Retreat

36 square meters of space is not much to work with. But this small, twin-level apartment…

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This renovation project originates from the intervention of a pre-existent building located in the western area of Mexico City; reshaping it into a studio-house project, with clear conditions and an eye set into the pre-existing circumstances. Our design solution takes on a residential structure from the 20th century and recycles it into a project that integrates itself with its immediate natural environment, shattering the hegemony of the high walls behind which the neighboring houses hide, in order to establish a dialogue that transcends the physical limitations of the project. The variations in the depths of different planes, offer the environment a living façade, where the interior activities are guessed from the visual filters that concede intimacy to the interior spaces. The interior-exterior duality brakes its context’s routine, offering a canvas of textures where the concrete and granite give away to the mildness of the metal and the lightness of plastic fabrics. To the exterior, the housing peeks out without invading; whilst opening in the interior, subtlety exposing itself, balancing the volumes that are inserted in the site. An interplay of planes occurs inside allowing the versatility of spaces by the movement of long-distance sliding screens and wainscots formed by timber that contrast in warmth and complexity with the sobriety of the stone coatings and apparent concrete of the enclosures. A new stairway, based on steel strips, reactivates the space where the old one stood, which gave an opportunity to re-signify the ambiance of the circulations as an experience of sculptural character. The front yard of the house marks the limits of the construction and together with the water mirrors and vegetation orient the route beneath a suspended long cover. The architectural program revolves around the home in the ground floor, leaving the studio in a privileged condition towards the garden. The living spaces in the first level have terraces and views to the exterior between and through a green façade woven of plastic cables (recovering the Acapulco chair technique) that sieve and melt together the thick vegetation of the existing trees. The terraces and windows allows an optimal ventilation, illumination and contextualization between the outside and inside. In the top level, the project offers a view above itself and the wooden horizon from a roof garden that elevates to a higher plane the user’s introspection, belonging and pertinence of itself.

The site has the typical challenges of many urban lots in Ho Chi Minh city: abutted by tall neighboring houses, small developable area relative to the clients’ program, and compromised access to daylighting and natural ventilation. Due to the height restriction, the house was pushed 1 level below the ground to accommodate the large program. In an effort to solve as many issues as possible, we proposed a concrete column system hidden inside the north and south concrete wall that face the neighbors, acting as the primary structure for the house and freeing up the space in-between. These concrete walls provide privacy to the clients and their family, and open up the east and west facade for views and outdoor-indoor connection. Because the column system extends continuously from the basement to the roof, the concrete beams spanning in-between can be moved vertically without any structural concerns. This flexibility also meant total discretion to determine the elevations of the upper floors–which we intended to take advantage of. By convention, the program is stacked floor-by-floor to maximize the usable area of a small lot which could result in monotonous and isolated spaces. We wanted to do just the opposite: visually and spatially connecting the different parts of the house together by splitting the floor plates, and then cascading them to create a multi-story atrium. In this space, life unfolds naturally; once a family member steps out of the bedroom, he/she will be in an all-connected “room”, and in the company of another member, whether that person is on the other side of the atrium or 2 levels above. In addition to spatial articulation, this atrium brings daylighting down to the basement, and–working with the 2 sunken gardens which are naturally filled with cool air–aids the stack effect by letting the hot air rises to the top. The temperature of the lower floors, as a result, becomes more comfortable. From the outside, Cascading House looks solid as a rock that provides sturdy shelter. The interior, however, feels as porous as a sponge soaking up natural light and air, and brings family members closer together–the qualities that make this house a home.

Stretched along a grassy plateau in Ibiza, Spain, the island home employs Belgian architect Bruno Erpicum’s characteristically minimal style to create a modern Spanish “finca.”