|

Community Bands Together To Restore Crumbling 19th-Century Synagogue in NYC

Interior of synagogue at Eldridge Street

Photo: Rhododendrites via Wikimedia Commons (CC BY-SA 4.0)

From the time it opened in 1887, Manhattan’s Eldridge Street Synagogue was a thriving place of worship for the local community. Located in Chinatown, it was one of the first synagogues erected by the Eastern European Jews in the United States. But after 50 years of bustling activity, it slowly fell into disrepair before being “rediscovered” in the 1980s and lovingly brought back to its former glory.

“The dust was so thick that you could write your initials on the benches,” recalls preservationist Roberta Brandes Gratz. Gratz first visited the synagogue in the early 1980s, when the roof was leaking and pigeons roosted in the balconies. By 1986, Gratz had founded the Eldridge Street Project with the goal of saving the historic place of worship. Now known as the Museum at Eldridge Street, the organization worked tirelessly to bring the massive renovation project to completion.

Over 18,000 people dedicated time and resources to the renovation. In the early years, people would turn up to dust and polish worn silver. As time passed, the grassroots effort gained momentum, and, in 1996, the building was named a National Historic Landmark.

Before and after of main stained glass window at the Eldridge Street SynagogueBefore and after of main stained glass window at the Eldridge Street Synagogue

Before and after the restoration.

Preservationists spent 20 years and $20 million to return the building to its Victorian-era glory. Whether it meant rewiring and polishing a 19th-century chandelier or hand-painting designs on the walls, every detail helps tell the story of the history of American Judaism in the early 20th century.

The restoration work was completed in 2007, but it wasn’t until three years later that one last touch would be added. As a nod to the space’s new revitalization, artists Kiki Smith and architect Deborah Gans designed a monumental glass-stained window to replace an earlier intervention from the 19th century.

Today, the space provides educational tours that explore the history of American Jews and Jewish culture in New York City.

“We’re one of the very, very few museums that are housed in a synagogue and are open to the general public,” said the museum’s deputy director, Sophie Lo. “Because of the history of [anti-semetic] hate, with most synagogues, you can’t just walk in. We want to say, come see us and experience this, and learn about these cultural practices.”

Over the course of 20 years, the public helped resurrect Manhattan’s Eldridge Street Synagogue.

Built in 1887, the synagogue was a popular place of worship over over 50 years before falling into disrepair.

Exterior of the Eldridge Street SynagogueExterior of the Eldridge Street Synagogue

Photo: Anne Ruthmann via Wikimedia Commons (CC BY-SA 4.0)

Doors at the Eldridge Street synagogue in New York CityDoors at the Eldridge Street synagogue in New York City

Photo: Anne Ruthmann via Wikimedia Commons (CC BY-SA 4.0)

It cost $20 million to bring the Victorian-era synagogue back to its former glory.

Interior dome at Eldridge Street SynagogueInterior dome at Eldridge Street Synagogue

Photo: Anne Ruthmann via Wikimedia Commons (CC BY-SA 4.0)

Interior of synagogue at Eldridge StreetInterior of synagogue at Eldridge Street

Interior of the Eldridge Street synagogue in ManhattanInterior of the Eldridge Street synagogue in Manhattan

Photo: Anne Ruthmann via Wikimedia Commons (CC BY-SA 4.0)

In 2010, a new stained glass window was commissioned to complete the interior.

Interior of synagogue at Eldridge StreetInterior of synagogue at Eldridge Street
Detail of Kiki Smith stained glass window at the Eldridge Street SynagogueDetail of Kiki Smith stained glass window at the Eldridge Street Synagogue

Stained glass window at the Eldridge Street SynagogueStained glass window at the Eldridge Street Synagogue

Photo: Peter Aaron

Now known as the Museum of Eldridge Street, the space provides educational tours about the history of Jewish culture in New York City.

Interior of synagogue at Eldridge StreetInterior of synagogue at Eldridge Street
Interior of synagogue at Eldridge StreetInterior of synagogue at Eldridge Street

Museum at Eldridge Street: Website | Facebook | Instagram

My Modern Met granted permission to feature photos by the Museum at Eldridge Street.

Related Articles:

Notre-Dame’s Famed Organ Will Undergo a Four-Year Restoration

France’s Beautiful National Library Reopens After a Decade of Renovations

New York Public Library Unveils Stunning ‘Rose Reading Room’ After Two-Year Renovation

Man Pays $6,000 for a Pair of Damaged Stained Glass Windows That are Actually Worth a Fortune

Similar Posts

  • Maullin Lodge

    This lodge is a 120m2 house located in a rural scene in a southern region of Chile. The brief was to design a house with two bedrooms and two bathrooms with a main shared space, interpreting an old small traditional southern Chilean dwelling. The challenge of the proposal was to get that traditional southern look, which implies very opaque facades, but with a full translucent side where the landscape and light can get inside the building, creating its own private world. The house is placed between a forest of native trees, giving its back to the main street. So, the house is oriented to the north and west to get the most of sunlight, which this south down is much appreciated. The concept of the design is organized based on 3 contrast between old and new:
    1- Removing non-structural walls and floors: the main structural shape and volume are maintained the same as the old traditional house, but the interior is liberated from any non-structural dividing element, which helped to create a clean and continuous space.
    2- Concentrating the apertures: The main source of light is the north façade, keeping the other free opaque as a traditional southern house would have, so the proportion of void and mass was not lost.
    3- Material contrast: Big floor to ceiling windows in contrast to recycled traditional timber shingles, an evident contrast between old and new. The distribution of the house is developed in an almost square plan, divided into three volumes:
    The main one has the public areas of the house: kitchen, dining room, sitting room and mezzanine.
    The east one, the widest, has sleeping rooms and bathrooms with the main access of the house.
    And the west one is 1.5m wide acting as a corridor and informal dining room adjacent to the public areas of the main volume. The mezzanine is an opportunity to use the roof space, with a lot of light and natural heating, having control over the main space.