|

red bivouac shelter in the alps becomes high-altitude base for bergamo’s modern art gallery

Aldo Frattini Bivouac: high-altitude base for GAMeC in Orobie Alps

GAMeC – Galleria d’Arte Moderna e Contemporanea di Bergamo and the Bergamo Section of the Italian Alpine Club (CAI) unveil the new Aldo Frattini Bivouac, designed by EX. for The Orobie Biennial: Thinking Like a Mountain. Located at around 2,300 meters above sea level along the Alta Via delle Orobie Bergamasche in Val Seriana, Bergamo, Italy, the structure acts as both a mountain refuge and a cultural outpost. It is not conceived as a gallery or exhibition space but as a permanent shelter that offers a place of protection and rest, while establishing a dialogue between architecture, landscape, and contemporary culture.

The project is part of a wider exploration of the relationship between art, territory, and ecological systems. Developed with the support of Fondazione Cariplo and Fondazione della Comunità Bergamasca, the bivouac extends GAMeC’s cultural network into the alpine environment, proposing architecture as a medium of presence and observation rather than display.

red bivouac shelter in the alps becomes high-altitude base for bergamo's modern art gallery
all images by Tomaso Clavarino, courtesy of GAMeC – Galleria d’Arte Moderna e Contemporanea di Bergamo

a Lightweight, Reversible refuge Engineered for Alpine Conditions

Designed by EX., a design laboratory founded by Andrea Cassi and Michele Versaci working at the intersection of architecture, landscape, and technology, the bivouac adopts a lightweight and reversible construction system intended for minimal environmental impact. Its form recalls a classic alpine tent, referencing early mountaineering structures while integrating contemporary engineering and materials.

Developed in collaboration with Ferrino, a company known for outdoor equipment, the shelter features a technical textile skin engineered to withstand severe weather conditions. The structure is among the first permanent textile-based emergency shelters in an alpine setting, an experimental prototype combining sustainability, rapid assembly, and spatial efficiency. Weighing approximately 2,500 kilograms and occupying a footprint of around 2.5 sqm, the bivouac is compact (3.75 × 2.60 × 2.60 m) and optimized for ease of installation in remote contexts. The interior is lined with natural cork, offering thermal and acoustic insulation while maintaining a warm, tactile environment.

red bivouac shelter in the alps becomes high-altitude base for bergamo's modern art gallery
Aldo Frattini Bivouac sits at 2,300 meters in the Orobie Alps of northern Italy

Dual-Function Shelter: Refuge and Environmental Observatory

The layout accommodates up to nine people, with perimeter benches and foldable beds inspired by climbing portaledges that can also serve as emergency stretchers. This dual-purpose design underscores the bivouac’s functional flexibility as both a place of refuge and a survival station. A skylight and two porthole windows introduce natural light, while the cork surfaces and contained acoustics create a calm, introspective atmosphere. The design references Shelter (1973) by Lloyd Kahn and Bob Easton, a study of self-built and temporary dwellings, and applies the ‘shearing layers’ theory by Stewart Brand and Frank Duffy, viewing architecture as a dynamic system capable of adaptation.

Beyond its role as a refuge, the Aldo Frattini Bivouac also functions as a scientific monitoring station. Integrated sensors collect environmental data on local climatic and ecological conditions, transmitting real-time information to GAMeC’s headquarters in Bergamo. Through this dual function, as both a shelter and an environmental observatory, the project redefines the idea of permanence in high-altitude architecture. It proposes a form of construction that listens to the landscape rather than imposing upon it, aligning with Thinking Like a Mountain’s broader exploration of sustainability, cultural presence, and the fragile balance between human activity and the natural environment.

red bivouac shelter in the alps becomes high-altitude base for bergamo's modern art gallery
designed by EX. for The Orobie Biennial, the structure bridges art, architecture, and landscape

red bivouac shelter in the alps becomes high-altitude base for bergamo's modern art gallery
the bivouac acts as both mountain refuge and cultural outpost for GAMeC

red bivouac shelter in the alps becomes high-altitude base for bergamo's modern art gallery
the camp extends Bergamo’s contemporary art museum network into the alpine terrain

Similar Posts

  • SO House

    REVEALING THE EVIDENCE Confrontation with the reality of these ruins was always a confrontation seeped in memories. Memories
    of a place where the raw matter it is constituted of – the rock, the valley and the mountain – shows evident expression, provoking a game of fine balance between place, matter, light and shadow. We found light that dripped down the stone walls defining spaces separated only by rows of stacked rock. In each fissure, in each wrinkle, a soft balance between light and shadow. Standing before this scenery, the exercise consisted in finding the most natural way to connect ruins and spaces, simultaneously defining future possibilities for links between the interior and the exterior. Where decisions were concerned, we chose to rehabilitate pre-existing volumes and introduce a new connecting element. The answer is given by the almost immediate decision to join together the pre-existing elements. This
    gesture, deeply connected to the terrain along the pendente – connects the two sections facing west,
    forming an exterior courtyard adorned with a centenary olive tree. This project builds a space that runs through the ruins, uniting them and revealing the obvious functional relationship between the house’s programmatic areas, simultaneously differentiating the possibilities for inhabiting the exterior space. It expresses its temporality through the antagonism of matter in its relationship with pre-existing elements.