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What If the Bathroom Was the Center of the Home?

Located in Barcelona’s Turó Park neighborhood, this 635-square-foot apartment by SIGLA Studio challenges one of the most deeply ingrained conventions of domestic architecture: the idea that certain functions must remain hidden. While kitchens have gradually evolved from enclosed service spaces into the social center of the home, bathrooms have largely remained untouched by this transformation. This project asks whether that distinction still makes sense.

A glass door with a green frame and arched window opens to a room with bunk beds. Walls are wood-paneled; the floor is beige. The scene is softly lit with natural light.

Photography by Marta Vidal

Designed for a client relocating to Barcelona, the apartment was conceived as an alternative to the fragmented layouts that still define much of the city’s housing stock. The brief prioritized light, openness, and flexibility over the accumulation of square footage. Rather than dividing the home into a series of independent rooms, the design proposes a continuous living environment where spaces connect, overlap, and adapt to different situations throughout the day.

At the heart of the apartment sits a compact central volume containing the kitchen, bathroom, and dressing area. Instead of functioning as a boundary, this core acts as an organizing device that connects the more private sleeping area with the living space facing the façade. Openings, reflections, and carefully framed views allow natural light and ventilation to flow throughout the entire apartment, creating a sense of spaciousness that belies its modest footprint.

A modern bathroom with green tiled walls and arched ceiling, a stainless steel sink, and vertical wall lights on either side of a mirror.

Photography by Marta Vidal

The most distinctive element of the project is undoubtedly the bathtub. Positioned within an open bathroom directly connected to the living area, it becomes a visible and active part of everyday life. More than a plumbing fixture, the bathtub is conceived as a central domestic object. Framed by a grand archway that announces its importance within the apartment, it becomes the setting around which daily routines unfold. A motorized pivoting glass enclosure can provide privacy when required, but during everyday use the bathroom remains open, transforming bathing into another layer of the domestic experience.

A green-tiled doorway leads to a room with orange walls, a window, a tan rug, a pink ladder, and a cushion on the floor. Vertical light strip glows by the wall.

Photography by Marta Vidal

Materiality reinforces this spatial strategy. A continuous mineral finish wraps floors, walls, and ceilings, creating a calm and unified backdrop. Within this neutral envelope, the central core is articulated through three distinct materials: aluminum-clad plywood in the kitchen, glossy forest-green ceramic tiles by Cerámica Ferrés in the bathroom, and walnut wood in the dressing area. Together they give each function its own identity while maintaining a cohesive whole.

Modern hallway with wooden closets, mirrored wall, and a view into a sitting area with a window, couch, shelves, and a patterned rug.

Photography by Marta Vidal

Rather than prescribing a fixed way of living, the apartment proposes a flexible framework that can evolve alongside its inhabitant. The result is a home that blurs the boundaries between rooms, questions conventional notions of privacy, and explores a more open, connected, and contemporary way of inhabiting domestic space.

Silvana Longo is a Toronto-based journalist and writer covering design, architecture, travel, and culture. A self-confessed homebody with a serious travel habit, she is happiest when those two passions meet. A regular contributor to The Globe and Mail, National Post, and other publications, her love of language and all things analog keeps her grounded.

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    CASA LV1 (casa nanchi 1 y 2)
    BRIEF DESCRIPTION OF THE CONSTRUCTION
    The Casa LV1 (casa nanchi 1 and 2), is a multi-familiar conformed by two houses constructed in the same land, the main material used for its construction was white striated concrete.
    DESCRIPTIVE MEMORY
    The Casa LV1 (casa nanchi 1 and 2) is a complex of two houses designed for a family an elderly couple, their young daughter and their granddaughter. Each house has the necessary privacy for each development, with the interrelationship and coexistence of the family; they are located in an irregular diamond-shaped land of approximately 250m2, a gradient over 10% with a view to the southeast.
    The Casa nanchi 1, on its main floor has: living room, dinning room, kitchen, bathroom, main bedroom with closet and its own bathroom, this floor is directly connected with the service area; the lower floor has a hall, two bedrooms with closet and its own bathroom; the upper floor has a roofed recreation room and a garden terrace. All the floors are connected by a stair, and has a parking lot. The total constructed surface is of 160 m2.
    The Casa nanchi 2 has on its main floor: living room, dining room, kitchen, bathroom and service area; on the upper floor it has: main bedroom with closet and its own bathroom, an additional bedroom with closet, a little play room and a bathroom; on the lower floor, where the entrance is, has: two parking lots and an exterior stair which is connected to the other floors. The total constructed surface of the house is 145 m2 excluding parking lots.
    Both houses share main entrance, service yard, green spaces and services.
    The houses are named after the nanchi tree (byrosonimacrassifolia) that is located in that land; it was respected and the project was adapted around it, to make it a natural decoration for the dinning room of the Casa nanchi 1. This house was designed for an elderly couple and it has a terrace in the upper floor, which is a recreational and relaxing space with a view of the surroundings to enjoy with the company of family, friends and guests. It has a double-height space which allows the development of the tree.
    The design of the Casa nanchi 2, which was designed for the daughter and granddaughter of the family, is inspired in the Brno chair, designed by the architect Ludwig Mies van ser Rohe, which not only allows a large volume, but also an efficient and free structural principle because with this solution is obtained an overhang of 4.85 m with a support of 2.85 m, generating a space without any support under the construction.
    The concept of the houses is derogates no only from the connection (interior-familiar, exterior-landscape), but also from the visual freedom that people perceive before entering in the house and also in the interior of them. This is fulfilled by the volumetric integration that defined the spaces of each house, both prisms have specific substractions that allow a formal integration of the two elements; in the Casa nanchi 1 the terrace is subtracted and in the Casa nanchi 2 the parking area is subtracted, transforming both elements without losing its integrity.
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