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Atsushi Shindo Reimagines Resin and Gravity With The Great Tree

At JAPAN SHOP 2025 this year, Arakawa and Koshin Planning presented an exhibition together designed around the theme of “Ever Origin.” The brands tapped Japanese designer Atsushi Shindo who created the “The Great Tree” installation for the booth that invited visitors into the spacial experience. Spanning 32 feet in diameter and almost 40 feet tall, the shimmering structure towered above attendees, drawing them into a world where nature, technology, and material memory converge.

Close-up view of hanging glass or crystal light fixtures with a geometric pattern, illuminated by warm lighting—reminiscent of ornaments beneath The Great Tree.

The collaborators had a mission within the structure – to change perception of the properties of resin, the cellulose-derived material proving to be much more sustainable. The resin, which is intentionally subject to the forces of gravity, meets the wire structure, keeping these elements in direct objection to their gravitational pull. “The Great Tree” aims to explore the potential of bio-resin and acetate explorations, as well as consider the possibilities of wire networks in architecture and design.

Hexagonal panels made of interlinked translucent rings hang vertically against a black background, creating a geometric pattern reminiscent of The Great Tree’s intricate branches.

Gold geometric pattern made of interlocking circular rings forms diamond shapes against a black background, reminiscent of motifs found beneath The Great Tree.

Comprising over 180 plant-derived cellulose acetate pieces and suspended with more than 600 meticulously placed wire grips, “The Great Tree” balanced between gravity and weightlessness. These amber-tinted resin components were 3D-printed using plant-based material sourced by Koshin Planning – an intentional choice that emphasized sustainability and referenced the ancient origins of resin as natural tree sap. Rather than aim for sterile perfection, Shindo and his collaborators allowed the irregularities of the resin’s flow to remain visible. Subtle bulges, ripples, and edge pooling lent each piece a sense of life, capturing and refracting light for a dreamy effect.

A close-up view of a decorative glass chandelier with multiple curved, interlocking elements illuminated by warm light, reminiscent of the branches of The Great Tree.

Close-up of several transparent, net-like plastic or glass sheets suspended vertically against a dark background, evoking the delicate structure of The Great Tree.

Multiple cylindrical pendant lamps with textured, translucent surfaces hang in front of a geometric, honeycomb-patterned background reminiscent of The Great Tree’s intricate beauty.

The ethereal effect of the resin was further elevated by Arakawa’s advanced wire grip system, which suspended the pieces in place while giving the illusion that they were floating. Known for their versatility in architectural and interior design, Arakawa’s systems – particularly the SFK-1S panel grip – acted not just as structural tools but as spatial enablers. These minimal components allowed Shindo to craft a composition with no visible support structures, enabling a sense of lightness, movement, and upward expansion.

Close-up view of a textured, translucent golden surface with a curved, circular shape, illuminated by warm light from above—reminiscent of the luminous canopy of The Great Tree.

Hexagonal panels and cylindrical light fixtures, evoking the branches of The Great Tree, hang from interlocking, translucent rings in a stunning geometric installation with a dark background and curved seating.

Large cylindrical structure with a honeycomb-patterned exterior, illuminated and displayed in a dimly lit exhibition space. Informational panels on the wall reveal its connection to The Great Tree.

A cylindrical structure called The Great Tree, with a honeycomb-patterned, translucent surface, is illuminated from within and stands on a black base against a dark background with beige display panels.

Arakawa was founded in 1973 by Dr. Hideo Arakawa, on the principle of “creating what doesn’t exist.” Developing the world’s first adjustable wire fitting system, the ARAKAWA GRIP, put the company on the map. The innovative system won the Good Design Long Life Design Award in 2022, and they have since expanded into many more cutting-edge products using this technology.

A display shelf with a glass petri dish and a beaker of white granules, set against a light-colored wall featuring Japanese text, a QR code, and an illustration of The Great Tree.

Focusing on signage, display, and communication design, Koshin Planning has always centered their work on the ideal “bringing as many creative ideas as possible to life.” Based in Jingumae, Shibuya, and founded in 1981, they have decades of experience in the industry, including digital fabrication tools, and large-scale 3D printers. In 2024, the company launched SOKEI, a creative project bringing together artists and designers from diverse backgrounds. Koshin Planning aims to explore the possibility and promise of 3D printing, through both research-driven and collaborative methods.

Display case with various minimalist metal objects arranged on a white shelf, set against a beige wall. Above, Japanese text and company information reference The Great Tree, blending tradition with modern design.

To learn more about The Great Tree by Atsushi Shindo, presented in collaboration with Arakawa and Koshin Planning, please click here.

Growing up in NYC has given Aria a unique perspective into art + design, constantly striving for new projects to get immersed in. An avid baker, crocheter, and pasta maker, handwork and personal touch is central to what she loves about the built environment. Outside of the city, she enjoys hiking, biking, and learning about space.

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