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Breaking Bread is an Artful Experience at This New Dallas Bakery

To savor a fresh baguette from a bakery in Paris is truly a feast for the senses, and often a highlight for foodies on holiday abroad. Few offerings stateside compare, though, with grab-and-go bakeries that all too often imitate the look of a standard French café, with little variation.

Refrigerated shelves in a store display bottled drinks, packaged foods, and jars. Adjacent open shelves hold more food items under signs reading

A bakery counter with pastries on display behind glass, shelves of packaged goods, and a tiled wall in a modern, minimalist interior.

The Bread Club in Dallas offers a different experience, with a contemporary take on traditional fare and favorite spots in the City of Light. Designed by INK+ ORO Creatives and inspired by the ritual of bringing loaves home from a Parisian market, it looks sophisticated without the contrived elements that would overwhelm the 1,120-square-foot eatery.

A bakery interior with shelves of assorted bread loaves and baguettes, and glass display cases filled with pastries and baked goods.

Bakery display with shelves of baguettes and round loaves, labeled “Fresh Daily Bread,” with a worker behind the counter and pastries in a glass case in the foreground.

Illuminated bakery signage displays the words

“The biggest challenge was reminding ourselves that we couldn’t turn the space into a French boulangerie,” says Tiffany Woodson, founder and CEO of the studio. “We kept coming back to strong architectural basics, trusting that restraint would do more to enhance the concept and showcase the product more than any decorative flourish could.”

Modern bakery café interior with marble counters, wooden shelves displaying pastries, sandwich and pastry signs, and tables and chairs by large windows letting in natural light.

Several baguettes are displayed upright on a wooden shelf, separated by dowels, with other loaves of bread visible on the left.

Modern bakery interior with tiled counters, display shelves filled with bread and pastries, and small tables with chairs by large windows letting in natural light.

The curved plaster ceiling adds a sense of volume, yet doesn’t seem heavy. It also serves as a marker that defines where customers line up, and highlights a main point of interaction, the counter. Delicate light boxes illuminate fresh goods, while shelving is accessible to both front-of-house staff and bakers that work in the rear. A coordinating vertical display stores the signature baguettes, and matching cases hold cold beverages and provisions.

A countertop with a potted plant sits beneath a menu listing signature drinks and prices on a cream-colored wall in a modern café.

A white La Marzocco espresso machine with stacked brown cups and clear glasses on top, situated on a countertop in a modern cafe setting.

The overall palette is neutral, but has just enough warmth, which forms a backdrop that will still align with the rest of the interior even as items on the menu or other facets change. Blue lettering on signage offers a hint of color. Luxe touches evoke the same softness as bread. Tiles with a subtle crackle finish complement the custom millwork. Walls with the same treatment used overhead provide a buttery texture throughout.

Modern coffee shop interior with a long marble counter, light wood furniture, coffee machines, and shelves with bread and pastries in the background.

Marble countertop with rounded edge on a tiled base featuring vertical rectangular tiles and brass trim, set on a textured floor.

The Bread Club blends the essence of Paris and its home base to reimagine what a bakery can be, no matter the location. “There’s a subtle nod to Texas wheat woven into the design’s sensibility, but it’s never literal,” Woodson notes. “It gives the space a timeless, unpretentious quality that feels welcoming to everyone.”

A bathroom with a marble-topped burgundy vanity, an irregularly shaped mirror, beige tiled walls, and a soap dispenser and small vase with flowers on the sink.

A sunlit cafe interior with wooden chairs and a marble table, featuring a glass vase with white flowers, near large floor-to-ceiling windows.

A sunlit café with wooden tables and chairs near large glass windows; each table has a small vase with white flowers. Outdoor seating is visible through the windows.

A sign reading

A bakery café with large windows, outdoor seating, and a bicycle with baskets of baguettes parked by the entrance.

Outdoor seating area with white tables and chairs near potted plants, next to a building with a sign reading

Exterior of a bakery with striped awnings, a sign reading

A bakery called

To see this and other works by the design firm, visit inkandoro.com.

Photography by Aaron Dougherty.

Anna Zappia is a New York City-based writer and editor with a passion for textiles, and she can often be found at a fashion exhibit or shopping for more books. Anna writes the Friday Five column, as well as commercial content.

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