Inside, With the Feeling of Being Outside | 6M House

Mercer Modern is a midcentury home located on a hillside on a 15,539 SF lot in Mercer Island, WA overlooking Lake Washington. The original house had great bones but was disconnected from the outdoors. Wittman Estes wanted to give the family a way to live outside and connect with their Southern California roots. Originally built in 1969, the post and beam structure had fallen into disrepair, and had a layout that was out of sync with the casual modern lifestyle for a young family with two children. The owner is Melanie Owen, a fashion designer with a keen interest in interior design and outdoor living. Originally from Southern California, her design sensibilities were rooted in SoCal surfer culture and the casual and open vibes of beach living. Both Melanie and her husband, Matt, work in fashion and clothing and have deep interests in texture, materiality, and a spaces with a comfortable lived-in feeling. Ms. Owen’s roots in Southern California brought a love for bright, light tones, and simple open spaces. Together with the architect, this vibe was mixed with Pacific Northwest traditions of wood tones and highly crafted built-in furniture. The goal was to create spaces that had both the qualities of Southern California modernism with a warmer, high quality carpentry that the Puget Sound region is known for. The outdoor deck has a ipe decking and built in seating. Cedar slat walls screen the neighboring houses while allowing the sunlight to filter through the screens. The kitchen was reconfigured to orient to the outdoors encourage an easy connection between the living room, dining room, and outdoor space. A concrete and glass stair connect the upper terrace to the garden and landscape. “We sought to connect the spaces in so the family could be relaxed and cruise barefoot going indoors and out”, says Wittman. The breezy and lightweight feeling of the material palette encourages the family to step outside and connect with the sunlight and views over Lake Washington and towards the downtown Seattle skyline. Project Credits Architect: Wittman Estes Design Team: Matt Wittman AIA LEED AP, Jody Estes, Hayley Snider Structural Engineer: Josh Welch Engineering Builder: Ian Jones, Treebird Construction Photography: Rafael Soldi

Designed for a young couple, the 5,000 sf home and 1,700 sf back house sit on a flat 21,000 sf lot in a 1920’s Palo Alto neighborhood (a few blocks away from Steve Jobs’ residence). The architecture is a study in strong simple composition and is museum-like with its highly refined materiality and emphasis on craft. The massing defines solid and void, captures natural light, and connects the indoors with the landscape, seeking to ‘experience the outdoors from within.’ The ground floor volumes wrapped in an elongated hand-fired brick from Denmark, emphasizing the horizontality of the architecture that lays solidly on the land. Bronze-trimmed ceiling planes slide between the brick masses, and floor-to-ceiling glazed openings are captured by thin-profiled bronze frames. In contrast to the grounded brick volumes, the second floor is clad in stainless steel panels and oversized aluminum-framed windows. The lightness and openness of the second floor is nestled among the oak-tree canopies of the site. At the basement level, a wine cellar and tasting room open to a sunken landscaped courtyard. A 30ft by 10ft continuous pane of glass runs alongside the grand stairwell of floating stone steps, connecting the three levels of the house. Due to the unprecedented size of this glass in residential design, it was custom manufactured in Germany and shipped to California. This dramatic moment in the sequence of progressing through the house helps visitors feel connected to the lush landscape outside. Inside the house, materials such as a custom leather door and bronze anodized details were selected for their unique craftsman-style quality. Another custom-designed element is the steel mesh screen that wraps around to enclose the kitchen for privacy, separating this from the more public “guest hosting” areas adjacent. The steel screen slides along a track embedded into the teak slatted ceiling and disappears into the pantry when retracted. A freestanding structure set deep back into the site is a zen-like fitness/yoga studio as well as a guesthouse with a kitchenette. This dramatic stone mass opens up completely in the center to give the impression of exercising outdoors. The landscape integrates California native plant species, grasses and trees to compliment the materiality of the architecture.

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