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Pharrell Williams x NIGO Announce ‘Japa Valley’ With Giant KAWS Sculpture at the Center

Exterior daytime render of Japa Valley TokyoExterior daytime render of Japa Valley Tokyo

California’s Napa Valley is home to hundreds of sprawling, hillside vineyards, many renowned for their world-class wines. Across the Pacific, Japan is taking note—but not without incorporating a twist. In 2027, Japa Valley will launch in Tokyo, serving as the latest joint venture between Pharrell Williams and NIGO in partnership with Not A Hotel.

As its name suggests, Japa Valley takes inspiration from its Californian counterpart, emphasizing hospitality alongside a range of artistic experiences. The 1-hectare campus will unsurprisingly swap Californian wine for Japanese craft sake brews, but it will also be informed by a rotating cast of fashion, food, and design pop-ups, offering visitors a distinct glimpse into contemporary Japanese culture. Recent concept renderings showcase an urban oasis organized into a fluid, maze-like layout, peppered with elegant, timber-clad pavilions crowned by plants, trees, and other greenery. The complex’s interiors are equally lush, boasting arched, floor-to-ceiling windows through which sunlight can seamlessly filter.

At Japa Valley’s heart will be a monumental sculpture by KAWS, depicting his iconic Companion character in a reclining pose. The piece anchors not only the entire site, but its overall atmosphere. Just as KAWS’ skeletal figure has kicked back to relax in a plush meadow, visitors are meant to rest as well, savoring the meditative yet bustling environment around them. This sculpture marks the second time that Not A Hotel has tapped KAWS for a project; last year, the New York-based artist curated artworks for the NIGO House in Chiba.

Even with its star-studded cast of collaborators, Japa Valley is explicitly designed to be ephemeral. The project will be nestled in Yurakucho Park, which Mitsubishi Estate is currently developing in front of Yurakucho Station as a temporary space before it commences construction on a new major building complex in the area. Japa Valley’s emphasis on seasonal programming only enhances that impermanence, challenging visitors to engage with pop-ups in more unconventional and unexpected ways.

Beyond this, the project is undeniably a labor of love. For two decades, Williams and NIGO have joined forces for a variety of creative and professional pursuits, with Japa Valley being the “culmination” of that partnership.

Japa Valley translates a “shared vision for cultural fusion into a physical space,” the project’s website reads. “[It] proposes a new way to weave art into the fabric of daily life. It reimagines the tourism model through the lens of craftsmanship.”

To stay updated about the project, visit Japa Valley’s website.

Slated to open in Tokyo in 2027, Japa Valley will host a rotating cast of fashion, art, and food pop-ups, with a special emphasis on sake.

Exterior evening render of Japa Valley TokyoExterior evening render of Japa Valley Tokyo

It is the latest joint venture between Pharrell Williams and NIGO in partnership with Not A Hotel.

Interior render of Japa Valley TokyoInterior render of Japa Valley Tokyo

At the center of Japa Valley will be a monumental sculpture by KAWS, depicting his iconic Companion character in a reclining pose.

Promotional asset for Japa Valley TokyoPromotional asset for Japa Valley Tokyo

Japa Valley: Website | Instagram

All images via Not A Hotel.

Sources: NIGO, Pharrell Williams and NOT A HOTEL Team Up for JAPA VALLEY TOKYO; Pharrell Williams and Nigo to open massive lifestyle hub in Tokyo inspired by Napa Valley; pharrell williams & NIGO partner with NOT A HOTEL on ‘japa valley tokyo’, launching in 2027

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  • House LV1 (house nanchi 1 y 2)

    CASA LV1 (casa nanchi 1 y 2)
    BRIEF DESCRIPTION OF THE CONSTRUCTION
    The Casa LV1 (casa nanchi 1 and 2), is a multi-familiar conformed by two houses constructed in the same land, the main material used for its construction was white striated concrete.
    DESCRIPTIVE MEMORY
    The Casa LV1 (casa nanchi 1 and 2) is a complex of two houses designed for a family an elderly couple, their young daughter and their granddaughter. Each house has the necessary privacy for each development, with the interrelationship and coexistence of the family; they are located in an irregular diamond-shaped land of approximately 250m2, a gradient over 10% with a view to the southeast.
    The Casa nanchi 1, on its main floor has: living room, dinning room, kitchen, bathroom, main bedroom with closet and its own bathroom, this floor is directly connected with the service area; the lower floor has a hall, two bedrooms with closet and its own bathroom; the upper floor has a roofed recreation room and a garden terrace. All the floors are connected by a stair, and has a parking lot. The total constructed surface is of 160 m2.
    The Casa nanchi 2 has on its main floor: living room, dining room, kitchen, bathroom and service area; on the upper floor it has: main bedroom with closet and its own bathroom, an additional bedroom with closet, a little play room and a bathroom; on the lower floor, where the entrance is, has: two parking lots and an exterior stair which is connected to the other floors. The total constructed surface of the house is 145 m2 excluding parking lots.
    Both houses share main entrance, service yard, green spaces and services.
    The houses are named after the nanchi tree (byrosonimacrassifolia) that is located in that land; it was respected and the project was adapted around it, to make it a natural decoration for the dinning room of the Casa nanchi 1. This house was designed for an elderly couple and it has a terrace in the upper floor, which is a recreational and relaxing space with a view of the surroundings to enjoy with the company of family, friends and guests. It has a double-height space which allows the development of the tree.
    The design of the Casa nanchi 2, which was designed for the daughter and granddaughter of the family, is inspired in the Brno chair, designed by the architect Ludwig Mies van ser Rohe, which not only allows a large volume, but also an efficient and free structural principle because with this solution is obtained an overhang of 4.85 m with a support of 2.85 m, generating a space without any support under the construction.
    The concept of the houses is derogates no only from the connection (interior-familiar, exterior-landscape), but also from the visual freedom that people perceive before entering in the house and also in the interior of them. This is fulfilled by the volumetric integration that defined the spaces of each house, both prisms have specific substractions that allow a formal integration of the two elements; in the Casa nanchi 1 the terrace is subtracted and in the Casa nanchi 2 the parking area is subtracted, transforming both elements without losing its integrity.
    The connection of both houses is so important that is not only achieved materially with the union of the two architectonic objects from the common entrance, connotating the link of the family, but also with the landscape, through the transparency in the facade of the two houses, which creates a visual freedom for the inhabitants. This gives a greater illumination of the spaces, producing a feeling of spaciousness and allows the air circulation due to the large windows that are handled by the users.
    The material, white striated exposed concrete and stone dust of the region, recalls the honesty of the materials, this simplicity benefits the environment, because it doesn’t use coatings in walls, fooors or roofs, contributing the less possible to the pollution. The exposed finishes means less production, transportation and utilization of pollutant materials. As said before, the free circulation of air allows a constant cleaning of the interior air which allows a natural regulation of the temperature, achieving termic comfort for the users and reducing the use of electronic devices that cools artificially the place. Besides, the same large windows avoid the unnecessary use of artificial illumination during the day allowing the entrance of sunlight in the morning.