Q&A: Studio Drift Founder Lonneke Gordijn on Nature, Art, and the Limits of Technology

Why do some of Studio Drift’s projects take more than a decade to complete? Because the technology to create them doesn’t exist yet.

Lonneke Gordijn

Lonneke Gordijn and Ralph Nauta founded Studio Drift in 2006—and in the years since, they’ve explored the intersection of nature and technology through captivating installations that boggle the mind—from massive blocks of concrete that appear to float in thin air to fleets of drones that flock and swarm like starlings. 

Dwell recently spoke with Lonneke about Studio Drift’s latest work, about her upcoming talk at Design Indaba 2020, and about what’s next from the boundary-pushing collective.

Lonneke Gordijn

I’d love to start at the beginning. Can you tell me a little about how you started working together with Ralph?

We met when I was 19 when we were still studying, and we became friends instantly. We were interested in each other’s opinions and ways of looking at the world. We also felt like we opened up each other’s perspective, and that was very enriching. That was the start of our friendship. Six years later we got into a relationship, and 10 years later, we ended the relationship—and now, 20 years later we’re still working together.

How would you describe Studio Drift’s mission today?

We are exploring how to reconnect people with nature through technology. We believe that you can align people with spaces by using frequencies of sound or movement that relate to frequencies that are in our nature. For instance, the human heartbeat, or breathing, has a similar frequency to waves coming from the sea, wind going through the grass, or the endless sparks of a fire. There is a certain nature that we as humans respond to very, very strongly—and it makes us feel calm, and aligned, and part of a bigger whole. 

<i>Flylight</i> by Studio Drift

Flylight by Studio Drift

Photo by Ronald Smits

When different people visit a space, they come from different situations—different realities. Everyone is on their own time, with different things on their minds. In order to communicate, and be really present, it’s important to align with the space, with ourselves, and with other people—and that’s what we’re trying to accomplish.

<i>Drifter</i> by Studio Drift

See the full story on Dwell.com: Q&A: Studio Drift Founder Lonneke Gordijn on Nature, Art, and the Limits of Technology

Similar Posts

  • Taula House

    Taula House is a single-family residence designed for a multi-generational family in the Preston Hollow Neighborhood of Dallas, Texas. The name “Taula” House is derived from the Sanskrit word meaning “Balance.” Guided by the Hindu architecture principles of Vastu shastra, this modern dwelling expresses a balance between traditional beliefs and contemporary ideologies of design. Symmetry, directional alignments, spatial geometry, and delicate detailing were all paramount to the design success of the project. The exterior façade is clad with precast concrete, weathered steel, and dark grey basalt stone. Accents of Brazilian Ipe siding, polished stucco, and zinc composite panel complete the material palette ensemble. The shroud of textures and natural hues are enhanced throughout the day, as the sunlight dances and dapples across each elevation. Ribbons of steel framed glass spread in large vertical and horizontal expanses. Taula House’s structure consists of a steel perimeter frame to support the lateral load of the large precast concrete panels. The 53 unique panels extend full height, with no horizontal joints, and some reach over 30 feet tall. Wood trusses provide clear spans, creating the opportunity for the interior of the house to have no load-bearing walls. A minimalist approach to interior finishes focuses attention on the architecture and precise detailing of the house. Highlights of the exterior palette make their way into the house with a refined use of weathered steel panels and basalt stone floors and walls. The monumental stair at the entry of the house is prominently featured behind a 20-foot tall curtain wall of glass. The stair’s steel structure employs a double-cantilevered switchback design clad with white oak treads. Overall, Taula House reflects the family’s love for entertainment and the importance of peaceful seclusion. There is a graceful mix of public and private – both gathering and intimate spaces. Bold expression and materiality is not lost on this house, yet there is calmness in the beauty.

  • Magnolia Residence

    A new residence located in Seattle’s Magnolia neighborhood designed as a simple three-story form wrapped in a cedar rainscreen and stretched across the width of the property to maximize views west toward Puget Sound and the Olympic Mountains. Spaces are arranged according to the importance of prospect and refuge. Primary social spaces are located on the top floor where the view is best and where kitchen, dining and living flow seamlessly together in one loft-like space. Private functions — sleeping and bathing — occur on the second level screened from the street. The ground floor contains entry, garage and an opening through the house, front to back — a covered exterior gathering space that frames the view of water and mountain for the passerby at the street. Contractor: Dovetail
    Landscape Architect: Land Morphology