|

RUF automobile shows cowboy-inspired ‘rodeo’ all-terrain sports car at the quail

meet the RUF rodeo during monterey car week

The first production RUF Rodeo was presented at The Quail, during Monterey Car Week 2025. Unveiled in Jordan Black with white centerlock wheels, the ultra-custom off-road sports car represents the German manufacturer’s step from prototype to production, delivered directly to its first customer during Monterey Car Week. The Rodeo is a culmination of the German company’s long history, translating the firm’s precision-engineered sports cars into a machine designed for terrain as much as speed. Constructed on a carbon-fiber monocoque, it is the only off-road vehicle of its kind to carry a VIN number, combining structural rigor with mechanical adaptability.

Nearly a century before this year’s Rodeo unveiling, RUF Automobile was founded in 1939 as a family business. Aloisa Ruf — a motorhead, artist, and photographer — is now part of the third generation of the family working for the company. designboom met with Aloisa at the Quail to learn more about the newly unveiled production vehicle.

To be less emotional for a second, this car is the only carbon fiber monocoque off-road car in the world with its own VIN number,’ she tells designboom.It has a six-cylinder RUF engine, with 3.6 liters and 610 horsepower.’ Her emphasis on structure, material, and detail frames the Rodeo as a ground-up project with a focus on design and engineering together. See designboom’s coverage of the Rodeo when it was first unveiled in 2020 as a concept car here.

RUF rodeo
image © designboom

a love letter to the wild west

For Aloisa Ruf, the Rodeo is an emotional project. ‘We were inspired by the Wild West because my parents met in Oklahoma. All of our projects are very personal. This one is a love story to the summers I spent with my family there,’ she tells us.

This intimacy finds expression in the cabin. The interior is lined with saddle leather, sourced and worked in-house, alongside patterned textiles referencing Cherokee and Navajo traditions. ‘The interiors were inspired by the Cherokee and Navajo Native patterns, and the leather that we use is actually real saddle leather, that was used in saddle-making for the Wild West,’ Aloisa continues. With these details, the cabin brings a tactile environment, a surprising contrast to the carbon shell that encloses it.

RUF rodeo
image © RUF Automobile

continuing ruf’s engineering legacy

The RUF Rodeo’s exterior balances solidity and detail. Enlarged fenders accommodate the widened track, while integrated bash bars at the front and rear create a layered, protective outline. Quad-stacked exhausts are recessed neatly into the rear bumper, and roof rails finished in white draw the eye upward, giving the body mass both visual and functional grounding.

Beneath these design cues lies a suspension system engineered with architectural clarity: pushrod-actuated dampers and adjustable ride height, raised nearly ten inches over RUF’s SCR model. It is a composition that addresses terrain as a spatial challenge, treating clearance, balance, and load as integral to the design.

RUF rodeo
image © RUF Automobile

Although the Rodeo looks westward in its narrative, it remains tied to RUF’s long lineage of experimentation. ‘We brought out the concept last year as a running prototype. We call it the Rodeo because it was a full Safari, but we have never driven our cars in Africa so the name didn’t fit,’ Aloisa says. Instead, the name recalls RUF’s own history of off-road racing, including early Pike’s Peak entries.

The delivery at The Quail was joined by two other RUF models: the CTR3 EVO and the Tribute. Of course, the Rodeo stood apart with its one-off balance of utility and craft. For Aloisa, the project expands RUF’s design vocabulary. ‘Everything is done in-house, and most of our leathers are sourced from Europe,’ she adds, emphasizing the same attention to process that runs through the company’s engineering work.

To celebrate its first delivery, Aloisa has hand-sewn and hand-painted a capsule collection of Rodeo jeans, each individually numbered. These carry forward the project’s connection between personal history and craft, and bring a wearable translation of the car’s Western references.

RUF rodeo
image © RUF Automobile

RUF rodeo
image © RUF Automobile

Similar Posts

  • Ballard Residence

    This was a 285 s.f. rear yard addition to an existing house, adding a family/dining room out back, and a roof deck above. It sits a half-floor below the main floor, allowing easy access to the backyard, and its new stairs to the basement replace the demo’d old stairs down from the kitchen, which opened up a lot of usable space there. Highlights of the project include the Panoramic folding-glass door wall, opening out to the new back yard terrace; the steel stairs (fabricated by the owner’s father) with thick fir treads; the vertical grain oak kitchen cabinets, with an island on casters, and eating bar overlooking the new room below; the new roof deck; and the standing-seam metal siding.

  • Villa Bunkherr

    Artistic Character The biggest challenge of the project Bunkherr came up at the outset of the collaboration between the client and the architects. The attractive hillside property was located in a former holiday home neighborhood set amidst a picturesque landscape in Hesse, Germany. Due to great dedication, perseverance and a tenacious struggle for the client’s strong desire to build their home in this very attractive place, a construction permit could finally be successfully acquired. The design is based on the idea of a human back, which divides the property into two areas: a public hillside area, which contains the entrance to the house, the garage and a spacious, plaza-like courtyard – an inviting place to share time with friends and neighbors. Even the client’s horse finds room here. And it also has a private valley facing area, which offers a magnificent view of nature. The structure of the building is defined by two building blocks, which are arranged at right angles to one another, the upper floor is cantilevered towards the valley. The private rooms of the parents are accommodated there. Below on the ground floor there is an open kitchen, dining and living area, which is characterized by the room-high glazing. A central design concept was to create spaces for the works of the artistically influenced client. For example, the interior of the house, has sculptures and paintings that add a special personal touch to the timeless, modern style of the house. Only a few materials, such as the white screed, which is not only used on the floor but also on the furniture, and the specially designed wooden boards provide a stylish setting for this.