Jessica Stewart is a Contributing Writer and Digital Media Specialist for My Modern Met, as well as a curator and art historian. Since 2020, she is also one of the co-hosts of the My Modern Met Top Artist Podcast. She earned her MA in Renaissance Studies from University College London and now lives in Rome, Italy. She cultivated expertise in street art which led to the purchase of her photographic archive by the Treccani Italian Encyclopedia in 2014. When she’s not spending time with her three dogs, she also manages the studio of a successful street artist. In 2013, she authored the book ‘Street Art Stories Roma’ and most recently contributed to ‘Crossroads: A Glimpse Into the Life of Alice Pasquini’. You can follow her adventures online at @romephotoblog.
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Jungalow
The project aims in creating an economically modest built form for an agriculturist and his family. Abstraction of urban farming could be seen in both exterior and interior spaces. The design uses the natural light and the built form to its advantage. The site abuts access way on the south and other two sides by adjoining structures. Its location is peculiar as the site is located in the city fringes. The surrounding dwelling unit comprises of peculiar semi urban row houses. South facade has the main entry and is flanked by a series of balconies and stepped terrace on each floor. Activities are distributed on various levels- semi private spaces on ground floor while private spaces on upper floors. The heart of the structure is the double heighted courtyard which is embellished with creepers and climbers. The green curtain cuts the direct entry of west sunlight inside the house and creates a buffer. The view from the spaces offers a glance of voluminous courtyard. The shape of the temple is evolved from the form of Shikhara – a feature of Hindu temple architecture. Temple with triple height factor acts as a wind tunnel with mechanical exhaust fan. Circular windows in bedroom, out looking the landscape serves as a natural picture frame. The basic building materials are kept to its natural form and texture to comprehend the naturality of flora.