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Architect Turns An Old Corner Shop Into a Dream Home (House Tour)

When an architect turns an old corner shop into a dream home, the result is often a quiet transformation that bridges time and function. Corner Shop House by Downie North reimagines a 19th-century shopfront in Sydney as a refined family residence, delicately poised above a retained commercial tenancy. Built in 1888 and occupying just 136 square metres, the site is compact but offers expansive architectural potential.

Faced with three street frontages, the project required a creative approach to circulation and light. Downie North introduced a tiered sequence beginning in the laneway, moving beneath a lush hanging garden and upward into the residence. The living room, positioned as the arrival point, connects to a central courtyard and invites the outside in. The spatial flow is considered, layered and open, offering a generous living experience in a tight urban setting.

The materials palette is grounded in raw honesty. The architects made the decision to retain and celebrate the original red common bricks, with the upper storey clad in warm-toned Krause Bricks. This layered texture became the foundation for other elements – steel, stone and joinery were all selected for compatibility.

Natural light shapes the experience of the home. Internalised bedrooms are illuminated by soft morning sun, entering through a raised eastern roofline. Brise soleil patterns and operable windows enhance ventilation while casting rhythmic shadows across internal walls. In this way, the architect turns an old corner shop into a dream home by carving new light paths into old fabric.

The project’s restraint relies on rigour. Downie North worked closely with BCM Projects to express construction as a finish – steel, concrete and brick are left exposed, requiring high precision. With styling by Room on Fire and landscaping by Dangar Barin Smith, the result is a tactile and richly layered home. Furniture and lighting from Fleur Studios, Hay, Jardan, Living Edge, Mama Casa and others contribute a warm, contemporary overlay.

What makes Corner Shop House distinct is not just its architecture, but how the architect turns an old corner shop into a dream home without erasing what came before. The original structure isn’t overwritten but reinterpreted, allowing heritage and modernity to coexist in meaningful dialogue. At its core, the project reflects a careful process where the architect turns an old corner shop into a dream home through restraint rather than excess.

As a whole, Corner Shop House offers a thoughtful answer to the question of how an architect turns an old corner shop into a dream home within a dense and evolving city. Through restraint, adaptation and collaboration, the familiar is made new again. It stands as a testament to the value of working with what exists – and elevating it through design.

00:00 – Introduction to Corner Shop Turned Dream Home
00:58 – The Site
01:48 – Craft and Contrast
02:20 – Favourite Moments
02:52 – Listening to the House
03:16 – Materiality and Atmosphere
05:32 – Collaboration and Final Reflections

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Photography by Clinton Weaver.
Architecture by Downie North.
Build by BCM Projects.
Styling by Room on Fire.
Landscape design by Dangar Barin Smith.
Furniture by Fleur Studios, Hay, Jardan, Living Edge, Mama Casa, Ted O’Donnell and Stylecraft.
Lighting by Hay, Lighting Collective, Louis Poulsen and Volker Haug Studio.
Carpet by Cadrys.
Tapware by Brodware.
Stone and tiles by Artedomus and Eco Outdoor.
Bricks by Krause Bricks.
Appliances by V-ZUG.
Artwork by Galia Gluckman, Malcolm Greenwood, Lisa Jones, Hugh McCarthy, Caroline McGregor, Anya Pesce, Ronan Pirozzi and Suzanna Vangelov.
Filmed and edited by The Local Production.
Production by The Local Production.

Location: Sydney, New South Wales, Australia

The Local Project acknowledges the Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the land in Australia. We recognise the importance of Indigenous peoples in the identity of our country and continuing connections to Country and community. We pay our respect to Elders, past and present, and extend that respect to all Indigenous people of these lands.

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