Contemporary Stone House Inspired by Traditional Constructions | Fly House

Mallorca is an island full of beautiful natural landscapes together with picturesque stone towns full of history and tradition. We came as unaware visitors, who learned step by step how to enter the Mediterranean territory with respect to the vernacular architecture.

Our design reflects it by using traditional techniques and materials as stones from a local quarry. The stone facade, which is based on a typical design that can be found all over the island as a fence or retaining walls that are constructed by using a traditional dry technique ‘Pedra en sec’. This local design has been declared as an intangible Cultural Heritage of Humanity by UNESCO in 2018.

Besides the aesthetics, the massive facade helps to keep the house cool during the summer months and has a great potential for accumulating heat in winter.

The house respects the local conditions, therefore it offers a number of natural shading or ventilating systems. First of all, the windows are pushed inside of the structure in order to create shading out of the concrete slabs

Folding wooden shutters are another natural heat prevention. They reflect the facades of traditional houses on Mallorca. Narrow vertical lamellas create a tender shadowplay in the interior, which complements the local traditional atmosphere. Spaces in between the lamellas allow air circulation even while the shutters are closed.

The design proposes natural ventilation, which can be used locally or in the whole house according to current needs. Various window openings on each story allow the fresh air to come in and flow through the house up to the skylights, which provides vertical and horizontal ventilation.

The house is in harmony with the local architecture by using traditional materials, techniques, and empiric principles. The stone facade continually flows into the interior in a combination with the lime plaster.

Our intention was to keep the background interior moderate, which allows the custom-made furnishing to stand out. Wood, local stone, and concrete are the dominantly used materials. Each material has a specific role in the design. The wooden lamellas adjacent to the staircase create vertical axes or a „skeleton“ of the house. A group of handmade ceramic pendant lights performs a unique impression above the dining table. And at the end, an abstract bronze angel statue is facing the view with a position in the entrance hall.

The surroundings together with the position of the house create different views on each level. On the bottom story, you are visually connected with the neverending sea. On the other hand, from the rooms, which are situated on the higher story, the beautiful illuminated city is visible during the night hours.

The city can be seen through the gap between the sloping terrain and pine treetops. The final third view is from the infinity pool, where the pool water continuously blends with the sea and horizon. In the end Casa Fly allows its dwellers to experience extraordinary moments.

Credits:

Project name: Fly House
Location: Mallorca, Spain
Architects: beef architekti
Area: 403 m²
Year: 2020
Photographs: Tomeu Canyellas

Similar Posts

  • 20 Accent Chairs That Make a Bold Statement

    Accent chairs do much more than provide seating. They can be used to create an intriguing focal point, reinforce a color scheme, or create a special place for relaxing and reflecting. Rather than being a part of a matching set, an accent chair is a unique addition that stands out from the crowd. Today we’ve […]

    You’re reading 20 Accent Chairs That Make a Bold Statement, originally posted on Decoist. If you enjoyed this post, be sure to follow Decoist on Twitter, Facebook and Pinterest.

  • Lakeside Residence

    Originally built as a modest beachfront cabin in the 1960s and subsequently modified through a series of piecemeal renovations, by the time the client acquired the house its design integrity had long ceased to exist. The forested one-acre property, however, was ideally suited to the creation of a quiet refuge with direct connections to nature. The path from street to house is conceived as a journey where work and public life give way to nature and private reflection. The 60-foot change in elevation from entry drive to water’s edge, was not without challenges. The upper driveway is transformed into a winding forest drive, while the final steps to the house pass through a series of intimate landscapes. A two-story glazed entry provides glimpses through the house to the water from the moment one enters the site. “To preserve the original view experience,” notes Brett Baba, principal architect for the project, “we carved big glass slots through the house both vertically and horizontally so a visitor can see right through to the water as they descend to the house.” Planted roof surfaces help to merge the house with its setting. Inside, the house was taken back to the studs and completely reworked. Previously lacking visual connections to the lake, all major interior spaces were reoriented to the views. “One of the most challenging aspects of this project,” adds Baba, “was the limited buildable area of the site. The homeowner had an ambitious program, so we needed to be creative in finding ways to solve space needs and elevate the quality of the space we had.” The main floor and formal entry, the middle of the house’s three floors, serve as the public zone of the house. Here, spaces including the galley kitchen and breakfast room, and dining and living, which flow one to the other. A small guest room rounds out the main floor. A second floor was added to provide separation for private spaces, and includes the master suite and kids bedrooms. The staircase connecting the floors was conceived as a set of wood slabs (fumed white oak) that appear to float within a wood enclosure. The partial, below-grade basement, was previously closed off from the waterfront. The space now opens directly to the water, enabling activities to flow from inside to outside. The basement provides family-oriented spaces including the family room, gym, wine room, kitchenette, laundry, powder bath and playroom for the children. Family room furnishing are simple, dominated by an L-shaped sofa, and a large television above a fireplace—a “hangout area” for the kids. Baba and Hunziker worked closely with the homeowner on the selection of finishes. “He pushed us to explore the most elegant design that we could,” notes Baba. “He has great taste and was open to very sophisticated finishes and details” Materially rich finishes—such as polished concrete, stone, cerused rift white oak and fumed oak, and blackened steel—balance the otherwise crisp and spare detailing found throughout the house. Everything from door pulls to sink faucet levers were meticulously designed, detailed, and fabricated. Stand out features include the staircase with floating wood slabs, custom bead-blasted nickel hardware, an oversized Japanese soaking tub, and sliding leather paneled pocket doors to master bedroom and bathroom. Concealed doors and integrated handrails reinforce the minimal aesthetic without sacrificing rich materiality. Outside, variously-sized, dark-stained cedar siding provides subtle dimension and shadow effects. Cor-Ten siding wraps selected portions of the exterior to articulate the composition and massing. Integrated sun shades and fins on all west-facing windows marry function with aesthetics, adding visual texture while mitigating direct sun exposure. Graham Baba Architects team
    Brett Baba, design principal
    Francesco Borghesi, project team
    Noreen Shinohara, project team Project team
    Graham Baba Architects (architecture)
    Terry Hunziker Inc. (interiors)
    CPL (civil engineer)
    Carissa Farkas (structural engineer)
    Geotech Consultants (geotechnical engineer)
    Rich Haag and Associates / Anne James Landscape Architect (landscape architecture)
    Brian Hood (lighting design)
    Lockhart | Suver LLC (contractor)
    Fleetwood USA (windows and selected doors)