european metro stations unfold as mirrored worlds of calm in thibault drutel’s photo series

The trapezoidal tracing of the property is what defined the construction of this house into three clearly settled volumes. Vegetation also plays a protagonist role in the design of this house, both outdoors and indoors. The exterior trees enclose the house generating distinct tons of shades and colours during the different seasons of the year. Within the interior, the unruly green vegetation, contrasts with the stone floors and solid walls, reaching a perfect sense of balance. The entrance, a double height lobby that creates contrasting sensations and distinct visual ending points originated by water mirrors, light shafts, a tree and a staircase. The walls that shape this area, divide the spaces into private and public areas. The ground floor, is organized into two blocks each with a different purpose: The left side, is a white solid cube that integrates the study and the master bedroom and is separated from the other block by a water mirror and a yard that generates the desired privacy, peace and tranquility. The right side, the social area, is a rectangle closed to the west by a rigid wall and opened towards the interior of the house through large floor to ceiling glass walls, giving sober transparency to the yard with views to the garden and the central courtyard. The different angles within the construction achieve visual ending points with great character, as well as, enhancing the sensations provoked by the pure whites that evolve into mixed tones as the day and the seasons go by.

A completely transformative renovation opened this former tract home up to views, light, and its stunning outdoor setting. It’s all about the views, but this residence wasn’t always this way. What is now a metal and cedar stunner situated on a private, hilly enclave above Calabasas, was once a darkly lit 1960s-era generic single family home. A two-year renovation made a total overhaul for an entrepreneur and his wife, empty nesters with kids living nearby. The architect, Brian Wickersham of AUX Architecture in Los Angeles, didn’t change a thing in terms of the home’s footprint and rooflines; he couldn’t. “We initially looked at building a new home, but quickly learned that because of an ancient paleolithic landslide, that the county requirements for restraining the hill would be cost prohibitive and time-consuming—potentially five or more years,” says Wickersham. “Instead, we devised a plan to work within the existing house footprint and building envelope for a project that would be classified as a renovation.” In addition to these parameters, the homeowners tasked him with throwing out all of the old—down to the last salad fork—and bringing in everything new—all the while designing something where they could entertain a growing gaggle of grandkids. The result is a modern home that transitions from indoors to outdoors with the ease this property was intended for. “It’s about striking a balance between modest down-to-earth people and helping them realize they can be living a luxurious lifestyle,” says Wickersham. It’s about them living at a higher level of luxury.” A composition of dark standing seam metal and vertical grain cedar give the appearance of three cut pieces, shifted side-to-side, the wood being the cut face. The cedar siding also carries from outside to in, bringing warmth to the home and reinforcing the inside-outside connection. Solar panels, thermal panels to heat the pool, and a thermally coupled HVAC system enable the home to largely function off-the-grid.