Lady

ByMyProperty Life

Architecture and interior design studio idea:list designed a classy, sophisticated and feminine apartment in Slovenia's capital Ljubljana. Delicate design together with feminine lines of selected functional pieces, contrasts with pragmatically designed furniture suggests an aesthetic choice that clearly defines the identity of its user – a timeless Lady. The client wanted to keep her 62 sqm apartment bright, seemingly warm and simply shaped, with some addition of blue which she adores so much. That is why the architects sought conceptual inspiration from the period of Bauhaus and many times overlooked Elieen Gray's interiors. With its clean lines and functionality her pieces were nevertheless designed with comfort in mind in addition to a great deal of feminine elegance and glamour. The interior was designed by carefully playing with volumes and voids according to their function while dematerializing them and maximizing their use. As such the design is consistent through the whole apartment – each full element is useful and intended for a specific purpose and each void is formed with the knowledge that it can soon be filled. The latter basically functions on its own, but if the owner fills it with objects such as paintings, statues or some useful pieces such as fashion accessories and dresses, the objects are placed in a functional frame or compositional context and do not act foreign. At the beginning the architects from idea:list studio rearranged the kitchen in the living space from an L shape design into two parallel lines that gave them additional storage space. The kitchen island formed as a volume that rests on a long storage bench that connects the kitchen part and the dining space and with its reduced lateness opens up the room and lets light seep through. This new orientation of the kitchen and consequently also the dining part enables circular visual communication between the latter two and the living room, perfectly fitting into its user’s living habits. Perfect counterbalance to an elegant kitchen in two shades of blue lies in furniture covered with oak veneer. Consequently this volumes combined with different colours and materials form a starting point upon which other spaces are designed. The latter is manifested in different functions of assembled volumes and colours. The work area and guestbed are represented in the cabinet as voids and are highlighted by wooden lines that visually continue in theform of a bench throughthe hallway and into the living space where they manifest as a cabinet under the television. The empty frame in the bedroom lets light pass through to the wardrobe while still dividing the sleeping part from the dressing room and in addition serving as a hanger and a place for a rotating mirror. Clean minimalistic lines are complimented by rounded shapes as details that make the space more elegant and sophisticated. This shows best with the shapes of mirrors in this apartment which have a dual function – for examplethe mirror in the bedroomthat simultaneously serves as storage space for jewellery likewise the mirror in the hallway (together with the blue lining) also serves as a cover for the installation cabinets, as a shelf for hanging keys and finally it acts as an introduction to the aesthetics of the apartment (and its owner) to every visitor. The luxurious deep blue velvet on the rounded upholstered backs of benches and beds adds a desired elegance to the space, while carefully selected fabrics in curtains and cushions further enrich it with different textures and delicate contrasts. PROJECT INFO
Interior Design: idea:list studio
Design Team: Urša Kres, Tina Begović, Urban Pahor
Location: Ljubljana, Slovenia
Photography: Blaž Gutman

Kitchen
Living space
Kitchen details

See more on Dwell.com: Lady – Ljubljana, Ljubljana, Slovenija

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  • House LV1 (house nanchi 1 y 2)

    CASA LV1 (casa nanchi 1 y 2)
    BRIEF DESCRIPTION OF THE CONSTRUCTION
    The Casa LV1 (casa nanchi 1 and 2), is a multi-familiar conformed by two houses constructed in the same land, the main material used for its construction was white striated concrete.
    DESCRIPTIVE MEMORY
    The Casa LV1 (casa nanchi 1 and 2) is a complex of two houses designed for a family an elderly couple, their young daughter and their granddaughter. Each house has the necessary privacy for each development, with the interrelationship and coexistence of the family; they are located in an irregular diamond-shaped land of approximately 250m2, a gradient over 10% with a view to the southeast.
    The Casa nanchi 1, on its main floor has: living room, dinning room, kitchen, bathroom, main bedroom with closet and its own bathroom, this floor is directly connected with the service area; the lower floor has a hall, two bedrooms with closet and its own bathroom; the upper floor has a roofed recreation room and a garden terrace. All the floors are connected by a stair, and has a parking lot. The total constructed surface is of 160 m2.
    The Casa nanchi 2 has on its main floor: living room, dining room, kitchen, bathroom and service area; on the upper floor it has: main bedroom with closet and its own bathroom, an additional bedroom with closet, a little play room and a bathroom; on the lower floor, where the entrance is, has: two parking lots and an exterior stair which is connected to the other floors. The total constructed surface of the house is 145 m2 excluding parking lots.
    Both houses share main entrance, service yard, green spaces and services.
    The houses are named after the nanchi tree (byrosonimacrassifolia) that is located in that land; it was respected and the project was adapted around it, to make it a natural decoration for the dinning room of the Casa nanchi 1. This house was designed for an elderly couple and it has a terrace in the upper floor, which is a recreational and relaxing space with a view of the surroundings to enjoy with the company of family, friends and guests. It has a double-height space which allows the development of the tree.
    The design of the Casa nanchi 2, which was designed for the daughter and granddaughter of the family, is inspired in the Brno chair, designed by the architect Ludwig Mies van ser Rohe, which not only allows a large volume, but also an efficient and free structural principle because with this solution is obtained an overhang of 4.85 m with a support of 2.85 m, generating a space without any support under the construction.
    The concept of the houses is derogates no only from the connection (interior-familiar, exterior-landscape), but also from the visual freedom that people perceive before entering in the house and also in the interior of them. This is fulfilled by the volumetric integration that defined the spaces of each house, both prisms have specific substractions that allow a formal integration of the two elements; in the Casa nanchi 1 the terrace is subtracted and in the Casa nanchi 2 the parking area is subtracted, transforming both elements without losing its integrity.
    The connection of both houses is so important that is not only achieved materially with the union of the two architectonic objects from the common entrance, connotating the link of the family, but also with the landscape, through the transparency in the facade of the two houses, which creates a visual freedom for the inhabitants. This gives a greater illumination of the spaces, producing a feeling of spaciousness and allows the air circulation due to the large windows that are handled by the users.
    The material, white striated exposed concrete and stone dust of the region, recalls the honesty of the materials, this simplicity benefits the environment, because it doesn’t use coatings in walls, fooors or roofs, contributing the less possible to the pollution. The exposed finishes means less production, transportation and utilization of pollutant materials. As said before, the free circulation of air allows a constant cleaning of the interior air which allows a natural regulation of the temperature, achieving termic comfort for the users and reducing the use of electronic devices that cools artificially the place. Besides, the same large windows avoid the unnecessary use of artificial illumination during the day allowing the entrance of sunlight in the morning.