Pavilion Inspired by Japanese Architecture and Constructed with Bamboo

Set amidst a volcanic boulder field in a pine and fir forest, Creek House is a family retreat that inhabits an existing outcrop clearing at the edge of the spring fed Martis Creek. Near the base of Lookout Mountain at Northstar California Resort, the house is conceived in plan as three directional bars that slide between and alongside the boulders and trees. The largest contains the main living areas and sleeping quarters. A margin sized bar houses the entry and support spaces and connects the third bar that contains a tandem, drive-through garage to the house. A south facing, 140-foot long, insulated concrete wall demarks the spaces longitudinally and situates the house in the mountainous terrain.   A shift of the major bar to the west over the natural downslope of the site earns two requested rock gardens. The garden to the east is open to the sky and built into the void left by the displacement, with building height concrete walls retained to provide privacy for the master bedroom.  The gravel surface, set with site native basalt stones and framed with water, can be viewed only through a low, three-dimensional glass box that allows the garden to penetrate the room. A rectangular basin captures snow melt to create a protective and ephemeral pool of water around this most private area of the house. The second garden to the west lives under the cantilevered house that shields the lower level from the west sun and contains the largest boulders of the site. A glazed hallway floor above reveals a dramatic drop in the topography and car sized boulders. At the top of the slope, the one-story horizontal form presents a closed and secure face to the northwestern street exposure. Fire resistive steel rain screens and tempered glazing inhabit the territories earned by the concrete wall. The mass heavy house is designed as a long thin rectangle that faces the sun to maximize solar exposure during winter and minimize heat gain from the west and east in summer. The house is cooled by prevailing breezes that flow up and through the house from the west. Radiantly heated bluestone floors, solar assisted domestic hot water and LED electric light further reduce energy demands.

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It all started with a pendant light found in an exhibition in Paris. Named the New Old Light, it mixes eastern and western styles, old and modern aesthetics and encapsulated a lot of the ideals for a young Taiwanese American couple as they started their new home. This concept of the New Old extended beyond the light and became a central tenet to the renovation once the couple moved back to this space as a family with twins. The project was a small renovation of a kitchen and living room in a 1,000-square-foot condo to accommodate the family. The renovation included new floors, lighting, kitchen cabinetry, custom millwork and ceramic dinnerware for the space. The kitchen island design was inspired by Donald Judd’s library table. It had to provide adequate storage for the kitchen as well as function as an eating/work space at times. In addition, the island was constructed so that the storage volume could be removed from the bookcase legs and table top, for future use as a counter-height table. Sliding doors are constructed with hidden sliding hardware, and the design was inspired by traditional Shoji screens. Ceramic dinnerware was custom created for the kitchen space.

Situated in Tulum, this small boutique hotel rises between the trees, in which the main concept consisted in preserving 70% of the existing vegetation in order to build around it. By achieving this, every space of the project is always in relation to its natural surroundings. The hotel has five 50m2 lodges, formed by a double height room, a mezzanine or “tapanco”, a terrace and an indoor-outdoor bathroom. At the back of the lot the social areas are located, with a dining space and yoga pavilion hanging in cantilever over the pool. The main idea of this water element is to be extruded from the ground in between the vegetation. For this reason, two old zapote trees were preserved, which look as they were rising from the pool itself. All the project is composed by local materials, as well as low maintenance and natural textures, which provide a warm atmosphere to the buildings. A particular finish found on the walls is “chukum”, a Mayan stucco characteristic of the region, which uses a tree resin to give its distinctive color, appearance and durability. The objective was to use materials that age with dignity, so that with the passing of time the architecture acquires character and a deeper sense of belonging. The different volumes of the complex are scattered along the lot, between the trees and stone paths, which provide a sensation of being in a small village in the Mayan jungle. Throughout the design process there was a search for pure forms and natural materials that could blend with the surrounding context. In a sense, Jungle Keva is like an abstraction or simplification of vernacular architecture, easy to read, simple and with a social, natural and economic conscience.

The brief was to create a house that is open, well-ventilated, and all the bedrooms overlooking…