|

Stunning Ink and Colored Pencil Architecture Drawings Inspired by Old-World Europe

Jessica Stewart is a Contributing Writer and Digital Media Specialist for My Modern Met, as well as a curator and art historian. Since 2020, she is also one of the co-hosts of the My Modern Met Top Artist Podcast. She earned her MA in Renaissance Studies from University College London and now lives in Rome, Italy. She cultivated expertise in street art which led to the purchase of her photographic archive by the Treccani Italian Encyclopedia in 2014. When she’s not spending time with her three dogs, she also manages the studio of a successful street artist. In 2013, she authored the book ‘Street Art Stories Roma’ and most recently contributed to ‘Crossroads: A Glimpse Into the Life of Alice Pasquini’. You can follow her adventures online at @romephotoblog.

Similar Posts

  • PDC House

    The design strategy of this house is based on a commitment to artisanal constructive honesty, the respect towards natural context in an urban area, and the constant search for a way of inhabiting where material austerity provides spatial quality. The main body of the house is located in the southern boundary of the land, respecting the 3 preexisting fruit trees on the north side and taking advantage of the best ventilation and natural light possible. The program, which includes 2 bedrooms, social area, a family room and services, is condensed in a monolithic block to reduce its footprint. As a main strategy, the upper roof tilts 21 degrees, prioritizing the northern bedroom spaces and reducing the southern service spaces. The subtraction and rotation of a middle segment generates a shift in between the upper floor bedrooms, allowing cross ventilation, as well as the accommodation of rooftop equipment and the plumbing and electrical ducting. In section, the composition allows the circulation of north-south winds, cooling the kitchen by the hot air escape achieved through height differences. The constructive solution contemplates material honesty in all the elements. The concrete walls on ground floor, pured with recycled formwork, give an imperfect finish consistent with the roof’s austerity, but contrasted with the cleanliness and volumetric continuity of the upper floor finish. To reduce economic impact, ceiling and floor finishings and tilings were completely eliminated using bare concrete floors and, in order to express the constructive and structural performance, the roofs use a system of bare concrete joists in combination with vaulted pieces, designed and manufactured using a mold made with local artisan blacksmithing.

  • Office for Visual Effects Studio Combines Industrial Style with Creative Spaces

    A high-end VFX design studio demands a very special style of architecture and StudioAC delivers in this regard with the ARTJAIL Offices in Toronto. The office feels modern and elegant with the existing industrial elements of the building being carefully intertwined with modern overtones. A number of new spaces were added to the existing floor […]

    You’re reading Office for Visual Effects Studio Combines Industrial Style with Creative Spaces, originally posted on Decoist. If you enjoyed this post, be sure to follow Decoist on Twitter, Facebook and Pinterest.