What $300,000 Buys You: New Construction Homes in Different States in the US (Zillow Finds)

The Good Haus celebrates the intersection between design and performance – and seeks to be an example of a “good house”. The house is the family home of principals Mela Breen and David Good (designer and builder) – and playfully gets it’s moniker from Dave’s last name. So what is our idea of a good house? In this case it is one that is pushing the possibilities of a site specific design while holding itself accountable to reaching the highest level of energy efficiency. Our good house is one that embodies our beliefs about resiliency, efficiency, health and comfort, beauty and playfulness. The DNA for the Good Haus is established by the site, a steep and rocky hillside that spills down onto a small neighboring foothill meadow. A limited buildable footprint, season drainage concerns, and an inviting flat outcrop of granite drove the initial design. Two intersecting geometric volumes were conceived, each reaching out to connect the building to the landscape, each intersecting the other and providing counter balance. The main first floor volume is a long south facing rectangle that stretches and anchors in the granite. A deep west facing porch protects the house from overheating, bridges a rocky drainage and links the open floor plan to the landscape with a large outdoor living space. The second floor volume runs perpendicular to the main living space and cantilevers to create a covered north entry, while a balcony on the south side cantilevers towards the oak canopy – creating a sense that the master bedroom is in a tree house. The exterior material pallet is in keeping with our love for the handmade modern. Cedar siding from trees grown on Mela’s childhood property and milled by her father is mixed with standing seam metal roofing that turns downing to clad the walls as a way to articulate the building form. Because the topography falls roughly 12’ over the relatively narrow width of the house, and the granite spine to the west hinted at what might lay below the soils (giant boulders and bedrock), we opted to build the first floor primarily on a steel pier and beam structure with a metal pan deck. This allows the building to float above the rocky drainage. The complexity of the design, with its cantilevers and steel deck foundation, require a heightened attention to the air sealing and insulation details. The super insulated, air-tight building envelope is wrapped in exterior Rockwool insulation, all the connections between interior and exterior structural members are meticulously detailed to avoid thermal bridges, and triple pane European windows and doors are used to maximize light, comfort, and performance. A CO2 heat pump water heater provides the most efficient domestic hot water delivery. Balanced heat recovery ventilation offers high indoor air quality and uniform temperature distribution. Indoor climate control is provided by super efficient ductless mini splits. A 6.5 kw roof mounted photovoltaic system is installed to offset the home’s energy usage (including the charging of an electric car) – creating a zero net energy building.

George & Willy’s signs and display systems are minimalist, functional, and playful. Same goes for their new offices in a revamped warehouse.

Taking advantage of its unique site in Austin’s eclectic Travis Heights neighborhood on the southern shores of Lady Bird Lake, the Edgecliff Residence is a play on contrasts: light and shadow, open and closed, organic and orthogonal. Designed for a couple of empty-nesters on a modest budget, the home’s contemporary aesthetic is balanced by the desire to respect the scale of the existing neighborhood. From the street, the Edgecliff Residence is characterized by a rainscreen made of galvanized electrical conduit—an inventive, low-cost solution that provides shade and privacy while filtering and diffusing sunlight. Throughout the day, the volume enclosed by the screen is alternately camouflaged and highlighted as the reflective metal responds to changes in the sun and sky. In contrast, the rear of the house opens up to the natural landscape and views of downtown Austin via large windows and cantilevered terraces. Below, the terrain falls away steeply to a public hike-and-bike trail before meeting the lake. The trapezoidal floor plan responds directly to the constraints of the long, narrow site—one side parallels the street while the other runs adjacent to the site’s natural contours. The lower level contains an open-air carport, foyer, and two guest rooms; the terrain on the uphill side is retained by a low wall made of weathering steel. The main level houses the kitchen, dining, and living spaces. The open floor plan highlights the dichotomy between the two halves of the site: ribbon windows screen the view of the street opposite picture windows that frame the treetops and lake. The upper level includes the master suite as well as a private study and media room. Doors from the master bath and study open onto another outdoor terrace that offers sweeping views of downtown Austin.

When home is the open road, it’s tricky to navigate where and how to shelter in place.

Separated from downtown by the Cumberland River, artsy East Nashville is one of the city’s most animated neighborhoods, packed with restaurants, bars, and vintage shops. When converting the former Edgefield Cumberland Presbyterian Church into the Russell, a newly opened 23-room hotel, local firm Powell Architecture + Building Studio was eager to layer an impressive architectural heritage with East Nashville’s eccentric personality.