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A self-initiated, architect-led design-develop-build project, Tesseract house was not designed with a specific client in mind. Rather, it was conceived as a business case to prove that one can create great contemporary architecture that fulfills a demand in the marketplace, while demonstrating that unbridled creativity generates innovative and artful spaces, using conventional and readily available construction methods. All of this was accomplished without breaking the bank and with a typical budget for a house of this kind Located in Toronto’s western lakeside streetcar suburb, this single-family residence proves contextual while owing little to convention and serving as the antithesis to recent vernaculars. By simply and unconventionally engaging the immediate context this contemporary alternative has an impactful, yet unimposing outward presence. This geometry and the depth of experience from which the house derives its name is not provocatively innovative but nuanced, both simple and complex, revealing itself over time. All of this within the constraints of conventional local residential construction, the Tesseract House unapologetically desires to be more than just a place to live.

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VILLA KIVI Villa Kivi is a new generation log home on a tiny island in Finnish archipelago designed for himself by Finnish designer Vertti Kivi. Polar Life Haus, a Finnish wooden house manufacturer, was quick to pick it up for their collection. ‘The whole development process of the house was guided by our goal to bring the interior of the house together with the spectacular surroundings. We wanted to be part of sunset, snowstorm and even autumn storm on his tiny island in Finnish archipelago’, tells designer Vertti Kivi, the head of dSign Vertti Kivi & Co. ‘The starting point was a clear glass cube but we ended up creating glass walls reaching from the floor level up to the ceiling only to three sides of the structure. The north side with its separate sleeping rooms and bathroom is constructed of massive black wood beams that are in clear contrast to the glass and create feeling of cosyness and safety. Large terraces in one level create a sense of continuity between inside and outside. The floor plan is defined by Scandinavian clearness. The heart of the villa is the kitchen, located next to the entrance, and from there you can see the entire open interior and the surrounding sea. We like to think the kitchen island is like a DJ’s desk – the atmosphere of the whole interior space is created right there with the remote controlled lighting system. To guarantee the privacy of the bedrooms, they are located in the outermost corners of the villa, separate from each other. They too have one wall completely made of glass. An extra attention is paid on the details of the villa. Not a single molding can be found in the entire building. The doors have a hidden frame and they too reach from the floor to the ceiling. Drama and strong feeling are created by massive wooden surfaces and their color choices – snow white lacquer on the floor creates a contrast to the dark walls. To make the battened external walls coal black, we developed a special technique based on hundreds of years old Japanese traditions. In the evening, the atmosphere changes with different lighting schemes that can be timed to be in sync with nature. The end result is a clean-lined building in Scandinavian style which can be adapted to different needs and locations. It has a strong Finnish presence.

Welcome to A Village of One’s Own, a modern masterpiece by Hugh Newell Jacobsen. Described as one of the world’s top 50 architects by Architectural Digest, Jacobsen has been retained by celebrities including Meryl Streep, James Gardner and Jacqueline Kennedy Onassis. Here in Meadowbrook, Mr. Jacobsen was tasked with creating a modern home on a sloping hillside in 1988. Nearly invisible from the road, however the moment you turn down the drive, there is a sense of calm discovery. Three massive chimneys reach for the sky and the entire structure is covered in cedar shingles on the roof. There is a crispness and symmetry to the varying buildings from the 6-dormered Federal-style living room to the glass, pyramidal sky tower that was inspired by an 18th Century lantern house over the entry foyer. Ornamentation is eliminated, with box gutters hiding the downspouts and it is completely void of any fenestration. The forms themselves are the decoration, and it is simply brilliant! From the entry courtyard, the home appears small and simple. The site afforded the architect with the ability to design a reverse plan where the public living spaces occupy the main level. This first floor is high like a treehouse with views out to the canopy of trees that fill the rear yard. The private living quarters occupy the full lower-level with complete connection to the grounds through a series of symmetrical sliding glass doors from every room to the flagstone walkway across the entire rear of the house. With Southern exposure, the way the sunlight plays across the rear of the home is wonderful. No matter what Mother Nature delivers on any given day, from sun, to snow to rain, the experience and connection to the outdoors is magical. The home is grand without being grandiose. There is a quiet elegance that offers multiple experiences. One enters into the 2nd of the pavilions. The bluestone floored foyer is bathed in light from the glass sky tower above and two large windows facing the rear patio and grounds. Centered in the foyer is the powder room with a 16′ ceiling that has a mural painted by Hugh Newell Jacobsen himself! It’s a whimsical interpretation of Michelangelo’s Creation of Adam. The 20′ vaulted living room to the left of the foyer is the first of many surprises. A series of six dormers cut through the soaring ceiling while eight symmetrical 8′ tall floor-to-ceiling windows ground the living room to the outdoors. Centered on the gable wall is the first of five wood burning fireplaces with a hidden wood box tucked to the right and a square window off-centered to the left. Another ingenious design of Jacobsen’s is the placement of interior window shutters to control the flow of light. The third pavilion provides another signature Jacobsen element, the 25′ tall library walls and circular staircase to the private quarters below. This section also houses a massive roof light on the Southern slope of the pavilion. The fourth pavilion houses the dining room and kitchen. Similar to the living room, yet juxtaposed with the gable walls facing the rear and front yards, soaring ceilings in the dining room and large windows provide the perfect backdrop to enjoy the changing seasons with family and friends over great meals. The second wood burning fireplace is centered on one side wall with hidden storage closets. The kitchen is the definition of efficiency, with cabinetry on all four walls and a large central island. Double ovens, a SubZero side-by-side fridge and a series of square windows overlooking the entry court provide the perfect vista to see guests as they arrive. The 5th and smallest of the pavilions houses the mudroom and breakfast room with the third wood burning fireplace. The master suite occupies the entire space under pavilions 4 and 5 and is a refuge of simple, classic forms. It has a dedicated home office, large en-suite bath, a walk through closet and the remaining two fireplaces. For more information, please visit www.avillageofonesown.com or contact listing agent Scott Laughlin at 215-275-1685.