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Virginia Sin Balances Tension + Tenderness in Her Latest Clay Creations

Designers are often expert observers, tuned in to the quiet beauty hidden in everyday moments. Clay master extraordinaire Virginia Sin not only notices these details but translates them into permanent sculptural forms. From the phases of the moon to the crease of a pinched sheet, Sin’s latest August 2025 collection explores how emotions – tension, confidence, being grounded – can be molded into something tangible.

The push and pull of tension is tricky to capture, but Sin makes it look effortless. “As a designer, I’m always drawn to tension – the balance between fragility and function, softness and strength,” she says. “This collection is a reflection of that. Each piece is rooted in utility but carries a quiet sculptural presence. I hope these designs feel like a moment of pause that savors simple, yet beautiful, everyday pleasures.” This duality plays out across the collection, each piece both raw and refined, evoking a moment frozen mid-motion.

A round wall mirror with four corners held by folded metal fixtures, mounted on a plain white background

In her Gami Lighting Collection, Sin transforms the quiet gesture of a pinched corner of paper into something steady and grounding – a gesture made permanent again in the Mira Wall Mirror. The ceramic fold suspends a 26-inch round mirror with surprising strength, offering a delicate yet assured balance of softness and structure.

A round mirror with a small section of its metal frame bent outward at the lower left edge, set against a plain background

Oval mirror with beveled glass edges and four metallic decorative brackets, mounted on a plain light-colored wall

Two off-white, modern wall-mounted candle holders with lit taper candles against a plain light-colored wall

Soft curves meet clean lines in the Kahn Wall-Mounted Candle Sconce, another nod to folded paper and an evolution of her earlier Laze Candelabra. It can be mounted it in either direction – one side cradles the taper candle, while the other elevates it – making it a flexible design with a big sculptural statement.

A white, minimalist ceramic wall sconce holds a lit tapered candle vertically; the sconce features a curved ledge design and two visible screws

A white ceramic wall-mounted candle holder with a single lit cream-colored taper candle against a plain light background

Two lit white pillar candles placed on modern, rectangular cream-colored ceramic holders with curved edges, set against a plain light gray background

The Noor Pillar Candle Holder in Tall and Short sits low but feels lifted. It features a pedestal of gentle, upward folds, giving the impression of paper now immortalized permanently in ceramic. Perfect for quiet rituals, it holds a single classic pillar candle to illuminate your space.

A lit brown pillar candle sits on a sculptural, wavy white ceramic holder against a plain light gray background

A beige, sculptural ceramic object with a central circular indentation and four curved, wave-like extensions, placed on a plain gray background

A lit brown pillar candle sits on a sculptural, wavy white ceramic holder against a plain light gray background

A beige, speckled ceramic hook with a looped design is mounted on a plain, light gray wall

Building on her signature For-Everything Horizontal and Vertical Coat Racks, Sin introduces the For-Everything Solo Wall Hook. Slim and sculptural, it brings an artful elegance to a utilitarian object, delivering form and function without taking up precious floor space.

A textured, beige ceramic sculpture with a single black screw mounted on a plain light gray background

A purple and white checkered bag hangs from a beige, textured hook on a light gray wall

A blue baseball cap hanging on a black wall hook against a plain beige background

The Leggy Curl Wall Hook is a more familiar silhouette, but with a Sin twist: a single coil of clay that’s looped, pinched, and bent into a double-pronged hook. Sculptural but subtle, in three finishes (Black, Sand, Pebbled), it’s an elevated take on everyday utility.

A small yellow beaded bag with a purple drawstring pouch inside, hanging from a wall hook against a neutral background

A handmade paper cloud with cotton and colorful paper chain rain hangs from a hook on a plain wall

A pendant light with a round white bulb covered by a textured, arch-shaped beige lampshade hangs from a white cord against a plain gray background

Finally, Lunar is a pendant light inspired by the moon’s many moods. A ceramic shade drapes over the bulb like soft fabric, casting shadows that shift and move like lunar phases. Four hand-built coils at the base nod to the moon’s orbit around Earth, turning each glow into a quiet, celestial reminder of nature’s rhythms.

A hand holds a pendant light with a textured, off-white ceramic fixture and a round, glowing bulb, set against a plain gray background

Sin continues to blur the line between sculpture and everyday object in a way that feels organic and poetic rather than jarring or forced. Her August 2025 collection turns the softest of observations into grounding, tactile forms – reminding us that even the smallest crease, curve, or shadow can be carried forward into new forms.

A modern, minimalist living room and kitchen with a brown leather sofa, white island, pendant lights, and large windows allowing natural light

To bring home Virginia Sin’s August 2025 collection into your own space, visit virginiasin.com.

Photography courtesy of SIN.

As the Senior Contributing Editor, Vy Yang is obsessed with discovering ways to live well + with intention through design. She’s probably sharing what she finds over on Instagram stories. You can also find her at vytranyang.com.

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