10 Kitchens Dripping With Bold, Vivacious Color

Natural finishes have their merits, but there's something to be said for outfitting the heart of your home with lively hues.

The budget was nearly as tight as the space in this cheerful renovation of a 516-square-foot flat in Bratislava. The centerpiece of Lukáš Kordík’s new kitchen is the cabinetry surrounding the sink, a feat he managed by altering the facing and pulls of an off-the-rack Ikea system. The laminate offers a good punch of blue, and in modernist fashion, Kordík forwent door handles in favor of cutouts.

Sights and smells collide for a synesthetic experience in these 10 homes from around the world. Drawn from the Dwell Magazine print archive, these kitchens sport audacious, stimulating hues ranging from cheery greens to blazing oranges and yellows.

A Yellow-and-Gray Kitchen in New York

Geraldine and Kit Laybourne remodeled the kitchen in their High Line apartment with yellow and gray interiors. The kitchen features an Artematica Vitrum glass system from Valcucine, artwork by Craig Kucia, and banquette cushion fabrics by Hella Jongerius for Maharam.

Geraldine and Kit Laybourne remodeled the kitchen in their High Line apartment with yellow and gray interiors. The kitchen features an Artematica Vitrum glass system from Valcucine, artwork by Craig Kucia, and banquette cushion fabrics by Hella Jongerius for Maharam.

Photo: Christopher Wahl

A Blue-and-Orange Kitchen in an Australian Prefab

Inspired by the sea and sand, Richard and Jackie Willcocks chose blue and orange joinery colors for their 1,140-square-foot prefab. The modular home is by New South Wales company ArchiBlox.

A Deep Blue Kitchen in a Scottish Longhouse

Dominic Houser's no-nonsense longhouse in the Hebrides of Scotland—an archipelago on the northwest coast—features a blue that mirrors the color of the ocean. The vaulted space and uncluttered interiors are perfect for Houser's regular meditation practice.

Dominic Houser’s no-nonsense longhouse in the Hebrides of Scotland—an archipelago on the northwest coast—features a blue that mirrors the color of the ocean. The vaulted space and uncluttered interiors are perfect for Houser’s regular meditation practice.

Photo: Andrew Lee

See the full story on Dwell.com: 10 Kitchens Dripping With Bold, Vivacious Color

Similar Posts

  • The Ball-Paylore House

    The Ball-Paylore House by architect Arthur T. Brown is captivating – offering guests a true Tucson midcentury modern experience. A stay in the Ball-Paylore House lets you step back in time. Widely published, the 1200 sq. ft, two bedroom architectural landmark has been named one of the most significant examples of Modern Architecture in Arizona. Centrally located within the Historic Catalina Vista neighborhood, the property is close to the UofA and major attractions, entertainment and shopping.

  • Big Barn

    North of San Francisco, in Glen Ellen, a less populated part of the Napa wine country, the culture has been based on agriculture and was named for an original winery.  Jack London made this his permanent home here in the early 1900s. Drawn by the land, London believed in the redemptive qualities of rural life. Less than an hour from the City, rolling hills covered with groves of oak trees surround the downtown. The strong agricultural history has affected the built environment here with many examples of barn like houses that are confusingly morphed between the two vocabularies. On the existing footprint of a 1950’s ranch house, this family getaway evolved in response to a request for a retreat from their urban lifestyle. The atmosphere of a tack barn renovated into a bunk house on site inspired thoughts of a larger barn like typology for this main house of 3,900 square feet. The request from the client was to build in a consistent way within the rolling hills dappled with agricultural buildings. A simple, rectangular, two-story form emerged with an asymmetrical gabled roof. The shorter side of the roof faces the southwest sun and reduces heat gain to the structure. Fenestration is limited to this exposure as well and is organized like thin full height ventilation shutters that reference traditional barn building. The entry, a larger version of the vertical slit elements is recessed for shading. The fireplace and chimney, foreign to the barn typology, is displaced from the structure with glazed joints. The east side is more open to the view and morning sun. A continuous, building-sized assembly of steel sash glazing includes large sliding doors that pocket into the adjacent wall and open the kitchen to the rear terrace.  The upper zone of the main space is void of windows and reminds one of the empty shell-like spaces of barns. A large vertical wood shutter located on the southeast gable end is aligned axially with an internal access through the plan on both levels. When open at both ends, prevailing breezes flow through the mass cooling it naturally. In order to leave the hillside intact and avoid grading, the form is excavated into the site uphill and cantilevered over it downhill. A steel grated bridge connects the upper sleeping level with the hillside and tack barn above. A minimal material pallet of reclaimed redwood, corrugated Corten steel and black steel sash windows combined with integral gutters, and lack of overhangs further the minimal feeling of the construction. Inside the singular materiality is continued via California Oak for floors wall and ceilings. Radiantly heated floors and minimal cooling provided only at sleeping areas, coupled with enhanced glazing, insulation and mechanical system efficiencies mitigate energy use. PROJECT TEAM Architecture : Faulkner Architects Contractor: Redhorse Constructors Civil Engineer: Adobe Associates Structural Engineer: CFBR Structural Group Mechanical Engineer: Sugarpine Engineering Electrical Engineer: Sugarpine Engineering Geotechnical Engineer: NV5 Landscape: Michael Boucher Landscape Architecture Lighting: Ken Fulk Interior designer: Ken Fulk Theatrical/AV: SoundVision Pool Engineer: Terracon Pool Consultant: Blue Revolution Construction Project Manager: Walker Construction Management Special Inspections: PJC & Associates CALGreen: Gilleran Energy Management Irrigation Design: Dickson & Associates Arborist: Bartlett Trees PHOTOGRAPHY Joe Fletcher Photography