Milan Design Week 2024 visitors who stopped by the 100R exhibition had the chance to see how aluminum scrap can be turned into coveted design objects that are ready for mass production. Norwegian aluminum and renewable energy company Hydro is changing the game when it comes to the endlessly recyclable material with Hydro CIRCAL 100R, the first industrial-scale aluminum product made entirely of post-consumer scrap. In celebration of the technology and to showcase its vast capabilities, Hydro and Norwegian designer Lars Beller Fjetland brought together seven renowned designers to create objects using only Hydro CIRCAL 100R.

Modern art installation in a gallery featuring a minimalist chair and desk setup, structured vertical panels, and crushed metal blocks on a platform.

Hydro 100R Exhibition, Spazio Maiocchi

Inga Sempé, Max Lamb, Andreas Engesvik, Shane Schneck, Rachel Griffin, John Tree, and Philippe Malouin were challenged to use the mono-material, each chosen to participate based on their skill sets and personalities. Hydro CIRCAL 100R has an amazingly low carbon footprint that clocks in below 0.5 kg CO2e per kg aluminum, and this project can serve as proof that designers and brands need to consider the use of more highly sustainable materials like this.

“Innovation starts at the drawing board, so collaborating with designers at the beginning of the process is key to creating something remarkable,” says Asle Forsbak, 100R project lead and Marketing & Communication Director at Hydro Extrusions. “Working with Lars and this group of world-class designers, with their uncompromised ideas, is something out of the ordinary, and shows what we can achieve. When designers, engineers, and material specialists unite, innovation happens.”

A modern, sculpted platform with a textured, metallic base.

Hydro 100R Exhibition, Spazio Maiocchi

The seven designers tackled the challenge head-on, using thoughtful designs alongside smart production techniques and processes. Forsbak shares that it was liberating to give them so much freedom and to see how Hydro’s engineers could help bring their ideas to a place where they could be mass-produced at the drop of a dime. From a colorful, metallic table lamp to a space divider kissed with a gradient of blue, the exhibition shares just a taste of what this new material is capable of creating.

An array of upright cylindrical objects in shades of blue, green, and pink, each with ridged surfaces, artistically arranged against a grey background.

Grotte by Inga Sempé + Prove Light by Max Lamb

“With this project, we acknowledge that we are moving toward a future where utilizing materials already in circulation is imperative for sustainable living and manufacturing,” says Fjetland. “Hydro CIRCAL 100R precisely facilitates that, as aluminum can be endlessly recycled without any loss of quality. I am confident that we will continue to use this exact material a hundred years from now.”

Close-up of a modern chair featuring sleek metallic curves and a minimalist design.

Billet Chair by John Tree

Modern three-tiered metal shelf unit on a neutral background.

T-Board by Philippe Malouin

Detail of a modern three-tiered metal shelf unit on a neutral background.

T-Board by Philippe Malouin

Two modern minimalist lamps standing on a plain surface against a light grey background.

Grotte by Inga Sempé

Detail of an illuminated modern minimalist lamp.

Grotte by Inga Sempé

A freestanding folded panel displaying a gradient of blue shades against a neutral background.

Serial by Rachel Griffin

Detail of a freestanding folded panel displaying a gradient of blue shades against a neutral background.

Serial by Rachel Griffin

A collection of cylindrical, rolled metal sheets in various colors including teal, blue, and copper, arranged on a white surface with shadows.

Nave by Shane Schneck

Close-up of a green, abstract wavy metal sculpture on a light background.

Nave by Shane Schneck

Two modern, minimalist coat racks, one blue and one silver, against a light grey background.

Tsuba by Andreas Engesvik

Detail of a blue modern, minimalist coat rack against a black background.

Tsuba by Andreas Engesvik

Two cylindrical, fluted table lamps in copper and green, standing on a white surface with shadows cast by ambient light.

Prove Light by Max Lamb

Detail of a cylindrical, fluted table lamp in copper.

Prove Light by Max Lamb

To learn more about Hydro’s 100R exhibition, visit 100r.no.

Photography by Einar Aslaksen.

Kelly Beall is Director of Branded Content at Design Milk. The Pittsburgh-based writer and designer has had a deep love of art and design for as long as she can remember, from Fashion Plates to MoMA and far beyond. When not searching out the visual arts, she’s likely sharing her favorite finds with others. Kelly can also be found tracking down new music, teaching herself to play the ukulele, or on the couch with her three pets – Bebe, Rainey, and Remy. Find her @designcrush on social.

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